<p>The publication, edited by Sohrab Mohebbi and Bruce Hainley, includes "One is Done", a new original essay by the artist, an interview by Michael Queenland and commissioned essays by Lisa Lapinski, Aram Moshayedi, Hainley and Mohebbi. This book, published by REDCAT, was beautifully designed by Henrik Nygren Design (Stockholm), Sweden. With a detailed exhibition checklist and film programs, this book is a record of the outstanding Morgan Fisher / Passing Time exhibition, on view at The Gallery at REDCAT in 2018-2019.</p>

Morgan Fisher / Passing Time

Bruce Hainley

Sohrab Mohebbi

REDCAT / California Institute of the Arts

<p>Tom Friedman is an unusual young American sculptor who produces quirky yet beautiful sculptures out of household objects – pencils, plastic cups, laundry detergent, paper straws. Featured in cream and in a one-person presentation at The Museum of Modern Art, New York, Friedman has quickly gained an impressive following of some of the most attentive and influential contemporary art-watchers in the United States. This is art which raises questions about the making and seeing of art, about the pleasures of small transformations producing sudden beauty. This book will coincide with Friedman's first major American museum tour, to be held in 2000–2002. American art critic Bruce Hainley examines the artist's work as a kind of giant self-portrait. Poet and novelist Dennis Cooper discusses with the artist such unexpected influences as contemporary electronic music. Guardian art critic Adrian Searle looks at the artist's work Untitled, 1993 – a ring of plastic cups in a home-made Minimalist tradition. The Artist's Choices are The Dinner Party (1919) by Swiss writer Robert Walser, and the glossary to Info-Psychology (1975–76) by Timothy Leary, the cult psychologist who advocated the use of psychedelic drugs. Facsimiles of the artist's notebooks and text works are published alongside an important interview by curator Robert Storr.</p>

Tom Friedman (Phaidon Contemporary Artists Series)

Arts & Photography

Dennis Cooper

Adrian Searle

Individual Artists

Phaidon Press

Catalog of works from the estate of Jay Defeo at Neilsen Gallery September 22 - October 27, 2007

Jay DeFeo. "Applaud the Black Fact". Works from the Estate of Jay DeFeo (ISBN: 0

Nielsen Gallery, Bostom

Published on the occasion of his solo exhibition at Kunsthalle Basel (June–August 2012), this publication includes interviews and images of the work of the Los Angeles-based artist Paul Sietsema. The residual aesthetics of Sietsema's art practice result from the translation of visual information between mediums―for instance, his sculptures and paintings appear on film rather than in their original media. Through the accumulation of conversations with the artist spanning from 2006 to 2012―primarily reproductions of earlier material with the addition of a new interview by Adam Szymczyk, director of Kunsthalle Basel, and Quinn Latimer, an art critic and the book's editor―the discursive texts in Interviews on Films and Works obliquely encompass the issues central to the artist's work, including the perception of present time and the relationship of materials to form. Also featured in the publication are stills from newly produced films, Telegraph (2012) and Encre Chine (2012), as well as reproductions of paintings and works on paper developed from the recurring visual motif of a photograph of a sailboat―continuing Sietsema's ongoing investigation into the mechanics of knowledge and history within image culture.Co-published with Kunsthalle BaselContributorsAndrew Berardini, Anne Collier, Gintaras Didžiapetris, Bruce Hainley, Carter Mull, Ali Subotnick, Adam Szymczyk & Quinn Latimer, The Wrong Times

Paul Sietsema: interviews on films and works (Sternberg Press)

Anne Collier

Andrew Berardini

Gintaras Didiapetris

Carter Mull

Ali Subotnick

Adam Szymczyk & Quinn Latimer

The Wrong Times

Sternberg Press

Really, No Biggie

Chrrch Bzrr

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Books by Bruce Hainley