First published in December 1853, Clotel was written amid then unconfirmed rumors that Thomas Jefferson had fathered children with one of his slaves. The story begins with the auction of his mistress, here called Currer, and their two daughters, Clotel and Althesa. The Virginian who buys Clotel falls in love with her, gets her pregnant, seems to promise marriage—then sells her. Escaping from the slave dealer, Clotel returns to Virginia disguised as a white man in order to rescue her daughter, Mary, a slave in her father’s house. A fast-paced and harrowing tale of slavery and freedom, of the hypocrisies of a nation founded on democratic principles, Clotel is more than a sensationalist novel. It is a founding text of the African American novelistic tradition, a brilliantly composed and richly detailed exploration of human relations in a new world in which race is a cultural construct. • First time in Penguin Classics • Includes appendices that show the different endings Brown created for the various later versions of Clotel, along with the author's narrative of his "Life and Escape," Introduction, suggested readings, and comprehensive explanatory notes

Clotel: or, The President's Daughter (Penguin Classics)

Literature & Fiction

BROWN, WILLIAM WELLS

United States

Penguin Classics

Widely considered the first African-American novelist, William Wells Brown's (ca. 1814-1884) 1853 novel, Clotel, or the President's Daughter, chronicled the fate of the daughter of Thomas Jefferson and his black housekeeper. Yet, in his own day, Brown was perhaps more important as a rousing orator, scholar, and cultural critic. He escaped from slavery in 1834 and worked on Lake Erie steamboats in Buffalo, New York, helping slaves escape into Canada and lecturing for the New York Anti-Slavery Society. After moving to Boston in 1847, he began writing his autobiography, The Narrative of William W. Brown. By 1850, the book had appeared in four American and five British editions and rivaled the popularity of Frederick Douglass's Narrative written two years earlier. Throughout the late 1840s and 50s, Brown continued to lecture to further the antislavery cause and wrote prolifically. In addition to Clotel, he published the first drama written by an African American and the first military history of African Americans.  In his writings and speeches, William Wells Brown deliberately resists the tone of heroic resistance and eloquent outrage set by Frederick Douglass. Brown's rhetorical strategy involved telling stories of individuals and individual encounters in which the art of simple understatement and guileless self-presentation prevailed over cant, bullying, and hypocrisy. Brown's often humorous and deceptively artless tone appealed to politically active women who were claiming the moral high ground not only on questions of abolition but also on temperance and women's rights. Unlike Douglass, whose literary output can be described as a long conversation with the founding fathers and literary lions about freedom, liberty, and what it means to be an American, Brown emphasized-- with humor and a cosmopolitan gentility-- the concerns of middle class family life: education, parenting, and the damage that slavery was doing to American society.  This volume, with a foreword by Henry Louis Gates, Jr., will introduce readers to Brown's lesser-known, but no less powerful works, placed in the context of the era's debates on slavery, gender, morality, and the discursive limits put on anti-slavery advocacy. The collection presents Brown's anti-slavery works and the contemporary response to them in light of Brown's own attention to the role of women writers and political advocates in this period. Garrett's and Robbins's introduction to these texts emphasizes Brown's awareness and even use of women's voices in political discourse as a way of distinguishing himself from other black male voices of the time. The selection of texts also demonstrates Brown's willingness to use and recycle any texts at hand-- including his own-- in order to appeal to his immediate audience or readership. While making Brown's more obviously political work available to a wider audience, the book reclaims Brown as an important black influence in the American nineteenth century.

The Works of William Wells Brown: Using His "Strong, Manly Voice" (Collected Black Writings)

History & Criticism

Oxford University Press

Places the first African American novelist in his historical and literary setting. Includes the entire text of Brown's novel, Clotelle, a facsimile of the 1864 edition.

William Wells Brown and Clotelle: A Portrait of the Artist in the First Negro Novel

Heermance, J. Noel.

Shoe String Pr Inc

Clotel, Or, the President's Daughter (Case Studies in Contemporary Criticism)

Macmillan

The Rising son, or, The Antecedents and Advancement of the Colored Race

History

Franklin Classics

The Negro In The American Rebellion

Americas

At the age of 20, William Wells Brown escaped a life of slavery and found freedom on the banks of the Ohio River. He became an ardent abolitionist and a prolific writer. This play, published in 1858, may very well be the first piece of dramatic literature written by an African American

The Escape: A Leap for Freedom

Politics & Social Sciences

Sociology

lulu.com

Clotel or, The President's Daughter

Education & Teaching

Schools & Teaching

Excerpt from Narrative of William W. Brown: A Fugitive SlaveThirteen years ago, I came to your door, a weary fugitive from chains and stripes. I was a stranger, and you took me in. I was hungry, and you fed me. Naked was I, and you clothed me. Even a name by which to be known among men, slavery had denied me. You bestowed upon me your own. Base, indeed, should I be, if I ever forget what I owe to you, or do anything to disgrace that honored name!About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Narrative of William W Brown: Fugitive Slave

Business & Money

Finance

Johnson Reprint Corp

Originally published in 1853, Clotel is the first novel by an African American. William Wells Brown, a contemporary of Frederick Douglass, was well known for his abolitionist activities. In Clotel, the author focuses on the experiences of a slave woman: Brown treats the themes of gender, race, and slavery in distinctive ways, highlighting the mutability of identity as well as the absurdities and cruelties of slavery.

Clotel, or the President's Daughter (American Negro: His History and Literature)

Ayer Co. Pub

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