Raw, poetic and compulsively readable. In Molly Brodak’s dazzling memoir, Bandit, her eye is so honest, I found myself nodding like I was agreeing with her, sometimes cringing at what she sustained, and laughingoften. I can’t wait to buy a copy for everyone I know.”Kathryn Stockett, author of The Help In the summer of 1994, when Molly Brodak was thirteen years old, her father robbed eleven banks, until the police finally caught up with him while he was sitting at a bar drinking beer, a bag of stolen money plainly visible in the backseat of his parked car. Dubbed the Mario Brothers Bandit” by the FBI, he served seven years in prison and was released, only to rob another bank several years later and end up back behind bars. In her powerful, provocative debut memoir, Bandit, Molly Brodak recounts her childhood and attempts to make sense of her complicated relationship with her father, a man she only half knew. At some angles he was a normal father: there was a job at the GM factory, a house with a yard, birthday treats for Molly and her sister. But there were darker glimmers, tooanother wife he never mentioned to her mother, late-night rages directed at the TV, the red Corvette that suddenly appeared in the driveway, a gift for her sister. Growing up with this larger-than-life, mercurial man, Brodak’s strategy was to get small” and stay out of the way. In Bandit, she unearths and reckons with her childhood memories and the fracturing impact her father had on their familyand in the process attempts to make peace with the parts of herself that she inherited from this bewildering, beguiling man. Written in precise, spellbinding prose, Bandit is a stunning, gut-punching story of family and memory, of the tragic fallibility of the stories we tell ourselves, and of the contours of a father’s responsibility for his children.

Bandit: A Daughter's Memoir

Biographies & Memoirs

Brodak, Molly

Professionals & Academics

Grove Press/ Black Cat

Molly Brodak?s The Cipher is a deft and unsparing study of the limits of knowledge and belief, and of what solace can be found within those limits. ?We stand on the rim of the void,? Brodak writes. ?We hold our little lamps of knowing / on the rim, and look in.? Drawing vividly from mathematics, Christianity, European history, urban life, and the natural world, these poems reveal a vision of contemporary experience that is at once luminous and centered on an unshakable emptiness. Wise, sharp, and sometimes devastating, The Cipher leads us through a world in which little can be trusted, takes its measure, and does not look away.

The Cipher

Literature & Fiction

Poetry

Pleiades Press

In the summer of 1994, when Molly Brodak was thirteen years old, her father robbed eleven banks, until the police finally caught up with him while he was sitting at a bar drinking beer, a bag of stolen money plainly visible in the backseat of his parked car. Dubbed the "Mario Brothers Bandit" by the FBI, he served seven years in prison and was released, only to rob another bank several years later and end up back behind bars. In her powerful, provocative debut memoir, Bandit, Molly Brodak recounts her childhood and attempts to make sense of her complicated relationship with her father, a man she only half knew. At some angles he was a normal father: there was a job at the GM factory, a house with a yard, birthday treats for Molly and her sister. But there were darker glimmers, too-another wife he never mentioned to her mother, late-night rages directed at the TV, the red Corvette that suddenly appeared in the driveway, a gift for her sister. In Bandit, Brodak unearths and reckons with her childhood memories and the fracturing impact her father had on their family-and in the process attempts to make peace with the parts of herself that she inherited from this bewildering, beguiling man.

True Crime

Tantor Audio

The language of Molly Brodak’s first full-length collection, A Little Middle of the Night, is ever shifting, brightly sonic, and disarming while exploring the margin between nature and art, darkness and beauty, dreams and awakenings. As echoed in one epigraph from Emerson, these poems capture “the Exact and the Vast” of consciousness in intense lyric verse with an angular and almost scientific sensitivity. Here is a speaker intent on discovery: “Oh whole world, we choose / another.”       This award-winning collection simmers with wit as Brodak confronts tragedy, childhood losses, transcendent love, and the question of art itself. Tinged with a suffering—“I was the littlest wastebasket. / I was my own church. Except— / scared, scared”—that rises above personal sorrow, her fierce and painterly poems redefine nature and art and what exists between: “Lately, there is spangled shade in my space / and a cold apple orchard to tend in place of consciousness.” As Reginald Shepherd said about the poems in Brodak’s first collection, the chapbook Instructions for a Painting, her world is “‘small enough / to sing in all directions,’ and large enough to take us there.”

A Little Middle of the Night (Iowa Poetry Prize)

University Of Iowa Press

Bandit - Mémoires d'une fille de braqueur

SOUS SOL

Als ich 13 war, überfiel mein Vater seine erste Bank

Nagel & Kimche

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