It is the richest, most influential, most powerful university in the world, but at the beginning of 2001, Harvard was in crisis. Students complained that a Harvard education had grown mediocre. Professors charged that the university cared more about money than about learning. And everyone worried that Harvard's outgoing president, Neil Rudenstine, epitomized an unhappy trend: the university president as full-time fund-raiser. Harvard may have possessed a $19 billion endowment, but had the university lost its soul?
The members of the Harvard Corporation, the ultra-secretive governing board established more than three centuries ago, knew that they had to act. And so they made a bold pick for Harvard's twenty-seventh president: former Treasury Secretary and intellectual prodigy economist Lawrence Summers.
Although famously brilliant, Summers was a high-stakes gamble. In the 1990s he had crafted American policies to stabilize the global economy, quietly becoming one of the world's most powerful men. But while many admired Summers, his critics called him elitist, imperialist, and arrogant beyond measure.
Today Larry Summers sits atop a university in a state of upheaval, unsure of what it stands for and where it is going. His allies believe that Harvard needs shaking up and appreciate Summer's blunt language and unabashed displays of power. His foes accuse the new president of tearing apart a venerable institution simply to remake it in his own image. At stake is not just the future of Harvard University, but the way in which Harvard students see the world -- and the manner in which they will lead it.
Written despite the university's official opposition, Harvard Rules uncovers what really goes on behind Harvard's storied walls -- the politics, sex, ambition, infighting, and intrigue that run rampant within the world's most important university.

Harvard Rules: The Struggle for the Soul of the World's Most Powerful University

Biographies & Memoirs

Bradley, Richard

Historical

Harper

It is the richest, most influential, most powerful university in the world, but at the beginning of 2001, Harvard was in crisis. Students complained that a Harvard education had grown mediocre. Professors charged that the university cared more about money than about learning. Harvard may have possessed a $19 billion endowment, but had it lost its soul?
The members of Harvard's governing board knew that they had to act. And so they made a bold pick for Harvard's twenty-seventh president: former Treasury Secretary and intellectual prodigy economist Lawrence Summers.
Although famously brilliant, Summers was a high-stakes gamble. In the 1990s he had crafted American policies to stabilize the global economy, quietly becoming one of the world's most powerful men. But while many admired Summers, his critics called him elitist, imperialist, and arrogant beyond measure.
Today Larry Summers sits atop a university in a state of upheaval, unsure of what it stands for and where it is going. At stake is not just the future of Harvard University but also the way in which Harvard students see the world -- and the manner in which they lead it. Written despite the university's official opposition, Harvard Rules uncovers what really goes on behind Harvard's storied walls -- the politics, sex, ambition, infighting, and intrigue that run rampant within the world's most important university.

Harvard Rules: Lawrence Summers and the Battle for the World's Most Powerful University

Harper-perennial

There have been many accounts of prehistoric 'art', but nearly all of them begin by assuming that the concept is a useful one. In this extensively illustrated study, Richard Bradley asks why ancient objects were created and when and how they were used. He considers how the first definitions of prehistoric artworks were made, and the ways in which they might be related to practices in the visual arts today Extended case studies of two immensely popular and much-visited sites illustrate his argument: one considers the megalithic tombs of Western Europe, whilst the other investigates the decorated metalwork and rock carvings of Bronze Age Scandinavia.

Image and Audience: Rethinking Prehistoric Art

Arts & Photography

History & Criticism

Oxford University Press

Richard Bradley investigates the idea of circular buildings - whether houses or public architecture - which, though unfamiliar in the modern West, were a feature of many parts of prehistoric Europe. Why did so many people build circular monuments? Why did they choose to live in circular houses, when other communities rejected them? Why was it that those who preferred to inhabit a world of rectangular dwellings often buried their dead in round mounds and worshipped their gods in circular temples? Why did people who lived in roundhouses decorate their pottery and metalwork with rectilinear motifs, and why was it that the inhabitants of longhouses placed so much emphasis on curvilinear designs? Although their distinctive character has engaged the interest of alternative archaeologists, the significance of circular structures has rarely been discussed in a rigorous manner. The Idea of Order uses archaeological evidence, combined with insights from anthropology, to investigate the creation, use, and ultimate demise of circular architecture in prehistoric Europe. Concerned mainly with the prehistoric period from the origins of farming to the early first millennium AD, but extending to the medieval period, the volume considers the role of circular features from Turkey to the Iberian Peninsula and from Sardinia through Central Europe to Sweden. It places emphasis on the Western Mediterranean and the Atlantic coastline, where circular dwellings were particularly important, and discusses the significance of prehistoric enclosures, fortifications, and burial mounds in regions where longhouse structures were dominant.

The Idea of Order: The Circular Archetype in Prehistoric Europe

History

Ancient Civilizations

The Later Prehistory of North-West Europe provides a unique, up-to-date, and easily accessible synthesis of the later prehistoric archaeology of north-west Europe, transcending political and language barriers that can hinder understanding. By surveying changes in social forms, landscape organization, monument types, and ritual practices over six millennia, the volume reassesses the prehistory of north-west Europe from the late Mesolithic to the end of the pre-Roman Iron Age. It explores how far common patterns of social development are apparent across north-west Europe, and whether there were periods when local differences were emphasized instead. In relation to this, it also examines changes through time in the main axes of contact between the various regions of continental Europe, Britain, and Ireland. Key to the volume's broad scope is its focus on the vast mass of new evidence provided by recent development-led excavations. The authors collate data that has been gathered on thousands of sites across Britain, Ireland, northern France, the Low Countries, western Germany, and Denmark, using sources including unpublished 'grey literature' reports. The results challenge many aspects of previous narratives of later prehistory, allowing the volume to present a distinctively fresh perspective.

The Later Prehistory of North-West Europe: The Evidence of Development-led Fieldwork

Webley, Leo

Haselgrove, Colin

Vander Linden, Marc

The Neolithic period, when agriculture began and many monuments - including Stonehenge - were constructed, is an era fraught with paradoxes and ambiguities. Starting in the Mesolithic and carrying his analysis through to the Late Bronze Age, Richard Bradley sheds light on this complex period and the changing consciousness of these prehistoric peoples. The Significance of Monuments studies the importance of monuments tracing their history from their first creation over six thousand years later. Part One discusses how monuments first developed and their role in developing a new sense of time and space among the inhabitants of prehistoric Europe. Other features of the prehistoric landscape - such as mounds and enclosures - across Continental Europe are also examined. Part Two studies how such monuments were modified and reinterpreted to suit the changing needs of society through a series of detailed case studies. The Significance of Monuments is an indispensable text for all students of European prehistory. It is also an enlightening read for professional archaeologists and all those interested in this fascinating period.

The Significance of Monuments: On the Shaping of Human Experience in Neolithic and Bronze Age Europe

Routledge

Religious

Rock Art and the Prehistory of Atlantic Europe: Signing the Land

Along the Atlantic seaboard, from Scotland to Spain, are numerous rock carvings made four to five thousand years ago, whose interpretation poses a major challenge to the archaeologist. In the first full-length treatment of the subject, based largely on new fieldwork, Richard Bradley argues that these carvings should be interpreted as a series of symbolic messages that are shared between monuments, artefacts and natural places in the landscape. He discusses the cultural setting of the rock carvings and the ways in which they can be interpreted in relation to ancient land use, the creation of ritual monuments and the burial of the dead. Integrating this fascinating yet little-known material into the mainstream of prehistoric studies, Richard Bradley demonstrates that these carvings played a fundamental role in the organization of the prehistoric landscape.

Bradley, MR Richard

Along the Atlantic seaboard, from Scotland to Spain, are numerous rock carvings made four to five thousand years ago, whose interpretation poses a major challenge to the archaeologist. In the first full-length treatment of the subject, based largely on new fieldwork, Richard Bradley argues that these carvings should be interpreted as a series of symbolic messages that are shared between monuments, artefacts and natural places in the landscape. He discusses the cultural setting of the rock carvings and the ways in which they can be interpreted in relation to ancient land use, the creation of ritual monuments and the burial of the dead. Integrating this fascinating yet little-known material into the mainstream of prehistoric studies, Richard Bradley demonstrates that these carvings played a fundamental role in the organization of the prehistoric landscape.

Bradley, Mr Richard Richard

This volume explores why natural places such as caves, mountains, springs and rivers assumed a sacred character in European prehistory, and how the evidence for this can be analysed in the field. It shows how established research on votive deposits, rock art and production sites can contribute to a more imaginative approach to the prehistoric landscape, and can even shed light on the origins of monumental architecture. The discussion is illustrated through a wide range of European examples, and three extended case studies. An Archaeology of Natural Places extends the range of landscape studies and makes the results of modern research accessible to a wider audience, including students and academics, field archaeologists, and those working in heritage management.

An Archaeology of Natural Places

See the best price to sell, buy, or rent books by Bradley, Richard. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Bradley, Richard

See the best price to sell, buy, or rent books by Bradley, Richard. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Harvard Rules: The Struggle for the Soul of the World's Most Powerful University

Harvard Rules: Lawrence Summers and the Battle for the World's Most Powerful University

Image and Audience: Rethinking Prehistoric Art

The Idea of Order: The Circular Archetype in Prehistoric Europe

The Later Prehistory of North-West Europe: The Evidence of Development-led Fieldwork

The Significance of Monuments: On the Shaping of Human Experience in Neolithic and Bronze Age Europe

The Significance of Monuments: On the Shaping of Human Experience in Neolithic and Bronze Age Europe

Rock Art and the Prehistory of Atlantic Europe: Signing the Land

Rock Art and the Prehistory of Atlantic Europe: Signing the Land

An Archaeology of Natural Places