A breathtaking selection of Michaël Borremans’s lustrous paintings, this catalogue showcases his technical mastery and creative use of mise-en-scène.\nRecalling classical painting, both through technical mastery and subject matter, Borremans’s depiction of the surprising and the bizarre, invites a second look. Uncanny scenes of figures onlooking blurred acrobatic displays, hooded subjects in Rembrandt lighting, or solemn portraits of painted faces demonstrate Borremans’s unique vision. In this recent body of work, Borremans continues to draw the viewer in closer with his small scale paintings of mysterious figures in peculiar arenas.

Michaël Borremans: The Acrobat

Arts & Photography

Tylevich, Katya

Borremans, Michaël

History & Criticism

David Zwirner Books

Presenting the Belgian artist Michaël Borremans's newest group of psychologically charged paintings, this catalogue highlights his exceptional technical skill, interest in figuration, and innovative approach to mise-en-scène. "Everything is a self-portrait. And now I have been painting monkeys. . . . It's like making a movie." --Michaël Borremans, Interview magazine As a pendant to his acclaimed catalogue The Acrobat, The Monkey showcases seventeen paintings that reveal his interest in exploring surface and artifice. Borremans portrays mysterious sitters--including the titular monkeys, which are glazed toy figurines--and depicts enigmatic scenes that simultaneously invite viewers in and keep them at bay. Katya Tylevich's insightful commentary delves into the depths of Borremans's compositions, connecting the themes and motifs in The Monkey to those present in previous bodies of work. Tylevich delves into the complex emotional and art-historical registers at play in the artist's new paintings and maps the trajectory of his practice, observing other instances of repetition and fabulation across his practice. The publication, featuring this essay alongside beautifully illustrated images of the new paintings, serves as the ideal complement to the artist's 2024 exhibition at David Zwirner, London.

Michaël Borremans: The Monkey

The first in a series of small-format publications devoted to single bodies of work, Fire from the Sun highlights Michaël Borremans’s new work, which features toddlers engaged in playful but mysterious acts with sinister overtones and insinuations of violence. Known for his ability to recall classical painting, both through technical mastery and subject matter, Borremans’s depiction of the uncanny, the perhaps secret, the bizarre, often surprises, sometimes disturbs the viewer. In this series of work, children are presented alone or in groups against a studio-like backdrop that negates time and space, while underlining the theatrical atmosphere and artifice that exists throughout Borremans’s recent work. Reminiscent of cherubs in Renaissance paintings, the toddlers appear as allegories of the human condition, their archetypal innocence contrasted with their suggested deviousness. In his accompanying essay, critic and curator Michael Bracewell takes an in-depth look into specific paintings, tackling both the highly charged subject matter and the masterly command of the medium. He writes, “The art of Michaël Borremans seems always to have been predicated on a confluence of enigma, ambiguity, and painterly poetics—accosting beauty with strangeness; making historic Romanticism subjugate to mysterious controlling forces that are neither crudely malevolent nor necessarily benign.” Published on the occasion of Borremans’s eponymous exhibition at David Zwirner in Hong Kong, this publication is available in both English only and English and traditional Chinese editions.

Michaël Borremans: Fire from the Sun (Spotlight Series)

MichaEl Borremans The Badger's Song /anglais

HANNIBAL

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Books by Borremans, Michaël