What motivates theatre-makers who work in education? How can theatre respond to young people's experiences of living in a globalised world? Theatre&amp; Education provides an insight into the energy, passion and values that have inspired the most inventive theatre-makers who work with young people in educational settings. It charts early debates that motivated twentieth-century radical theatre-makers to work with young people, and offers an analysis of contemporary practices. It argues that the aesthetic principles and educational ideals that inform theatre and education drive at the heart of why theatre matters. Foreword by Edward Bond

Theatre and Education (Theatre And, 35)

Nicholson, Helen

Bond, Edward

Humor & Entertainment

Methuen Drama

Poems: 1978 1985

Literature & Fiction

Poetry

Heinemann

RESTORATION

Dramas & Plays

Lear

EYRE METHUEN

Edward Bond's version of Lear's story embraces myth and reality, war and politics, to reveal the violence endemic in all unjust societies. He exposes corrupted innocence as the core of social morality, and this false morality as a source of the aggressive tension which must ultimately destroy that society. In a play in which blindness becomes a dramatic metaphor for insight, Bond warns that 'it is so easy to subordinate justice to power, but when this happens power takes on the dynamics and dialectics of aggression, and then nothing is really changed'.

Lear (Modern Plays)

Bloomsbury Methuen Drama

The sea,: A comedy (Methuen's modern plays)

A wild storm shakes a small East Anglian seaside village and sets off a series of events that changes the lives of all its residents. Set in the high Edwardian world of 1907, The Sea is a fascinating blend of wild farce, high comedy, biting social satire and bleak poetic tragedy.The play was first produced at the Royal Court Theatre, London, in 1973 and will be revived at the Theatre Royal Haymarket, London, from January to April 2008.'This cosmically inclined neo-Chekhovian romp set in a stiflingly small seaside town in 1907 proves to be every bit as masterful as its sensational predecessor [Saved].' Time Out (New York)

The Sea: A Comedy (Methuen Modern Plays)

Methuen Drama 1973-08-30

Narrow Road to the Deep North

Contemporary

METHUEN

Described by its author as 'almost irresponsibly optimistic', Saved is a play set in London in the sixties. Its subject is the cultural poverty and frustration of a generation of young people on the dole and living on council estates. The play was first staged privately in November 1965 at the Royal Court Theatre before members of the English Stage Society in a time when plays were still censored. With its scenes of violence, including the stoning of a baby, Saved became a notorious play and a cause célèbre. In a letter to the Observer, Sir Laurence Olivier wrote: 'Saved is not a play for children but it is for grown-ups, and the grown-ups of this country should have the courage to look at it.' Saved has had a marked influence on a whole new generation writing in the 1990s. Edward Bond is "a great playwright - many, particularly in continental Europe, would say the greatest living English playwright" (Independent)

Saved (Modern Classics)

dward Bond's play "Bingo" subtitled "Scenes of money and death" is about the last days of Shakespeare. Bond's Shakespeare has withdrawn from the theatre and lives in Stratford the life of a well-to-do country gentleman. But the material security he has worked to achieve brings him no peace or happiness and the play evokes the image of an exhausted genius tormented with conscience about his own cruelty to his family, the cruelty of the society he believes in and his own equivocal achievements. "Was anything done?" he asks repeatedly.

Bingo: Scenes Of Money And Death

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Books by Bond, Edward