Postville: A Clash of Cultures in Heartland America

In 1987, a group of Lubavitchers, one of the most orthodox and zealous of the Jewish sects, opened a kosher slaughterhouse just outside tiny Postville, Iowa (pop. 1,465). When the business became a worldwide success, Postville found itself both revived and divided. The town's initial welcome of the Jews turned into confusion, dismay, and even disgust. By 1997, the town had engineered a vote on what everyone agreed was actually a referendum: whether or not these Jews should stay. The quiet, restrained Iowans were astonished at these brash, assertive Hasidic Jews, who ignored the unwritten laws of Iowa behavior in almost every respect. The Lubavitchers, on the other hand, could not compromise with the world of Postville; their religion and their tradition quite literally forbade it. Were the Iowans prejudiced, or were the Lubavitchers simply unbearable? Award-winning journalist Stephen G. Bloom found himself with a bird's-eye view of this battle and gained a new perspective on questions that haunt America nationwide. What makes a community? How does one accept new and powerfully different traditions? Is money more important than history? In the dramatic and often poignant stories of the people of Postville - Jew and gentile, puzzled and puzzling, unyielding and unstoppable - lies a great swath of America today.

History

Bloom, Stephen G.

Americas

Houghton, mifflin, harcourt

Mariner Books

For Tears of Mermaids, Stephen G. Bloom traveled 30,000 miles to trace a single pearl—from the moment a diver off the coast of Australia scoops from the ocean floor an oyster containing a single luminescent pearl to the instant a woman on the other side of the world fastens the clasp of a strand containing the same orb. Bloom chronicles the never-before-told saga of the global pearl trade by gaining access to clandestine outposts in Japan, China, the Philippines, French Polynesia and Australia. Bloom infiltrates high-tech pearl farms and processing facilities guarded by gun-toting sentries, and insinuates himself into the lives of powerful international pearl lords. Bloom farms for pearls in rural China, goes behind scenes at million-dollar auctions in Hong Kong, trails pearl brokers and Internet entrepreneurs in Asia, hires himself out as a deckhand on an Australian pearling vessel, and goes backstage at Christie’s for a fast and furious auction of the most expensive pearl ever sold. Teeming with rogue humor and uncanny intelligence, Tears of Mermaids weaves a nonstop detective story of the world’s most enduring gem.

Tears of Mermaids: The Secret Story of Pearls

Business & Money

Industries

St.Martin's Press

Product Description 
The never-before-told true story of Jane Elliott and the “Blue-Eyes, Brown-Eyes Experiment” she made world-famous, using eye color to simulate racism.\nThe day after Martin Luther King, Jr.’s assassination in 1968, Jane Elliott, a schoolteacher in rural Iowa, introduced to her all-white third-grade class a shocking experiment to demonstrate the scorching impact of racism. Elliott separated students into two groups. She instructed the brown-eyed children to heckle and berate the blue-eyed students, even to start fights with them. Without telling the children the experiment’s purpose, Elliott demonstrated how easy it was to create abhorrent racist behavior based on students’ eye color, not skin color. As a result, Elliott would go on to appear on Johnny Carson’s 
Tonight Show, followed by a stormy White House conference, 
The Oprah Winfrey Show, and thousands of media events and diversity-training sessions worldwide, during which she employed the provocative experiment to induce racism. Was the experiment benign? Or was it a cruel, self-serving exercise in sadism? Did it work?\nBlue Eyes, Brown Eyes is a meticulously researched book that details for the first time Jane Elliott’s jagged rise to stardom. It is an unflinching assessment of the incendiary experiment forever associated with Elliott, even though she was not the first to try it out. 
Blue Eyes, Brown Eyes offers an intimate portrait of the insular community where Elliott grew up and conducted the experiment on the town’s children for more than a decade. The searing story is a cautionary tale that examines power and privilege in and out of the classroom. It also documents small-town White America’s reflex reaction to the Civil Rights Movement of the 1970s and 1980s, as well as the subsequent meteoric rise of diversity training that flourishes today. All the while, 
Blue Eyes, Brown Eyes reveals the struggles that tormented a determined and righteous woman, today referred to as the “Mother of Diversity Training,” who was driven against all odds to succeed. 
 Review \n"A balanced view of both his abrasive subject and her notorious experiment. . . . A clear-eyed portrayal of a controversial woman." 
 ― 
Kirkus Reviews\n"Intriguing and evenhanded . . . . What emerges is a rich and thought-provoking portrait of an unrepentant crusader who 'may have failed to consider fully the myriad consequences of her actions.' This immersive account offers a fresh perspective on the enduring struggle against racism." 
 ― 
Publishers Weekly\n"Timely and timeless, Blue Eyes, Brown Eyes: A Cautionary Tale of Race and Brutality is a unique, informative, thoughtful and thought-provoking read that must be considered in this era of the Black Lives Matter movement and the increasing successful political movements to suppress the non-white voter." 
 ― 
Midwest Book Review 
 From the Back Cover 
"Stephen G. Bloom deftly narrates and analyzes a complex story. The reader is hooked from the start. I kept thinking this would make a great movie."—Kathryn Olmsted, author of 
Right Out of California: The 1930s and the Big Business Roots of Modern Conservatism \n"This book is a vital record, part of a mosaic of analysis on racial attitudes in post mid-century America and how to address racism in the era Jane Elliott was in her zenith. It's important for many reasons, but doubly more so now in the era of BLM. Bloom brings this story forward and makes it essential reading for today."—Dale Maharidge, author of Pulitzer Prize–winning 
And Their Children after Them\n" 
Blue Eyes, Brown Eyes is a great story, brilliantly told. But more than that, it is just what the subtitle advertises––a cautionary tale of race and brutality. For many, Jane Elliott is a hero. But, she and her legendary experiment are much more complicated than the celebratory lore would have us believe. Set aside what you think you know about racism, power, and privilege; forget what you may have hear

Blue Eyes, Brown Eyes: A Cautionary Tale of Race and Brutality

University of California Press

Inside the Writer's Mind propels readers into 30 very different stories, written for magazines, newspapers and the Internet. Among the stories Stephen G. Bloom dissects are profiles of accused murderers, a Little League umpire, a husband and wife who sign a suicide pact, a world-famous Brazilian plastic surgeon, and a notorious abortionist. Bloom writes about his job canning fruit cocktail, a disaster of a Caribbean cruise vacation, a lethal family of professional wrestlers, and an afternoon spent with Dr. Ruth.

Inside the Writer's Mind: Writing Narrative Journalism

Biographies & Memoirs

Wiley/Blackwell

The Brazil Chronicles

Historical

University of Missouri

In 1984, photographer Peter Feldstein set out to photograph every single resident of his town, Oxford, Iowa (pop. 676). He converted an abandoned storefront on Main Street into a makeshift studio and posted fliers inviting people to stop by. At first they trickled in slowly, but in the end, nearly all of Oxford stood before Feldstein's lens. Twenty years later, Feldstein decided to do it again. Only this time he invited writer Stephen G. Bloom to join him, and together they went in search of the same Oxford residents Feldstein had originally shot two decades earlier. Some had moved. Most had stayed. Others had passed away. All were marked by the passage of time. In a place like Oxford, not only does everyone know everyone else, but also everyone else's brothers, sisters, parents, grandparents, lovers, secrets, failures, dreams, and favorite pot luck recipes. This intricate web of human connections between neighbors friends, and family, is the mainstay of small town American life, a disappearing culture that is unforgettably captured in Feldstein's candid black-and-white portraiture and Bloom's astonishing rural storytelling. Meet the town auctioneer who fell in love with his wife in high school while ice-skating together on local ponds; his wife who recalls the dress she wore as his prom date over fifty years ago; a retired buck skinner who started a gospel church and awaits the rapture in 2028; the donut baker at the Depot who went from having to be weighed on a livestock scale to losing over 150 pounds with the support of all of Oxford; a twenty-one-year-old man photographed in 1984 as an infant in his father's arms, who has now survived both of his parents due to tragedy and illness. Considered side-by-side, the portraits reveal the inevitable transformations of aging: wider waistlines, wrinkled skin, eyeglasses, and bowed backs. Babies and children have instantly sprouted into young nurses, truck drivers, teachers, and rodeo riders, become Buddhists, racists, democrats, and drug addicts. The courses of lives have been irrevocably altered by deaths, births, marriages, and divorces. Some have lost God--others have found Him. But there are also those for whom it appears time has almost stood still. Kevin Somerville looks eerily identical in his 1984 and 2004 portraits, right down to his worn overalls, shaggy mane, and pale sunglasses. Only the graying of his lumberjack beard gives away the years that have passed. Face after face, story after story, what quietly emerges is a living composite of a quintessential Midwestern community, told through the words and images of its residents--then and now. In a town where newcomers are recognized by the sound of an unfamiliar engine idle, The Oxford Project invites you to discover the unexpected details, the heartbreak, and the reality of lives lived on the fringe of our urban culture.

The Oxford Project

Arts & Photography

Individual Artists

Welcome Books

THE VIVID, SCANDAL-FILLED STORY OF A SHREWD, RAGS-TO-RICHES MILLIONAIRESS AND THE RUTHLESS POLITICIAN WHO PURSUED HER, TOLD AGAINST THE EFFERVESCENT BACKDROP OF AMERICA’S GOLDEN CITY—SAN FRANCISCO. San Francisco, until the mid-1940s, was a city that lived by its own rules, fast and loose. Formed by the gold rush and destroyed by the 1906 earthquake, it served as a pleasure palace for the legions of men who sought their fortunes in the California foothills. For the women who followed, their only choice was to support, serve, or submit. Inez Burns was different. She put everyone to shame with her dazzling, calculated, stone-cold ambition. Born in the slums of San Francisco to a cigar-rolling alcoholic, Inez transformed herself into one of California’s richest women, becoming a notorious powerbroker, grand dame, and iconoclast. A stunning beauty with perfumed charm, she rose from manicurist to murderess to millionaire, seducing one man after another, bearing children out of wedlock, and bribing politicians and cops along the way to secure her place in the San Francisco firmament. Inez ruled with incandescent flair. She owned five hundred hats and a closet full of furs, had two small toes surgically removed to fit into stylish high heels, and had two ribs excised to accentuate her hourglass figure. Her presence was defined by couture dresses from Paris, red-carpet strutting at the San Francisco Opera, and a black Pierce-Arrow that delivered her everywhere. She threw outrageous parties on her sprawling, eight-hundred-acre horse ranch, a compound with servants, cooks, horse groomers, and trainers, where politicians, judges, attorneys, Hollywood moguls, and entertainers gamboled over silver fizzes. Inez was adored by the desperate women who sought her out—and loathed by the power-hungry men who plotted to destroy her. During a time when women risked their lives with predatory practitioners lurking in back alleys, Inez and her team of women, clad in crisp, white nurse’s uniforms, worked night and day in her elegantly appointed clinic, performing fifty thousand of the safest, most hygienic abortions available during a time when even the richest wives, Hollywood stars, and mistresses had few options when they found themselves with an unwanted pregnancy. Inez’s illegal business bestowed upon her power and influence—until a determined politician by the name of Edmund G. (Pat) Brown—the father of current California Governor Jerry Brown—used Inez to catapult his nascent career to national prominence. In The Audacity of Inez Burns, Stephen G. Bloom, the author of the bestselling Postville, reveals a jagged slice of lost American history. From Inez’s riveting tale of glamour and tragedy, he has created a brilliant, compulsively readable portrait of an unforgettable woman during a moment when America’s pendulum swung from compassion to criminality by punishing those who permitted women to control their own destinies.

The Audacity of Inez Burns: Dreams, Desire, Treachery & Ruin in the City of Gold

Community & Culture

Regan Arts.

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