The sirens' song: Selected essays

Blanchot, Maurice

Literature & Fiction

Indiana University Press

This book is a translation of Maurice Blanchot's work that is of major importance to late 20th-century literature and philosophy studies. Using the fragmentary form, Blanchot challenges the boundaries between the literary and the philosophical. With the obsessive rigor that has always marked his writing, Blanchot returns to the themes that have haunted his work since the beginning: writing, death, transgression, the neuter, but here the figures around whom his discussion turns are Hegel and Nietzsche rather than Mallarme and Kafka. The metaphor Blanchot uses for writing in The Step Not Beyond is the game of chance. Fragmentary writing is a play of limits, a play of ever-multiplied terms in which no one term ever takes precedence. Through the randomness of the fragmentary, Blanchot explores ideas as varied as the relation of writing to luck and to the law, the displacement of the self in writing, the temporality of the Eternal Return, the responsibility of the self towards the others.

The Step Not Beyond (Suny Series, Intersections : Philosophy and Critical Theory)

History & Criticism

State University of New York Press

A Voice from Elsewhere (SUNY Series, Insinuations: Philosophy, Psychoanalysis, Literature)

Reflections on the enigma and secret of “literature.” A Voice from Elsewhere represents one of Maurice Blanchot’s most important reflections on the enigma and secret of “literature.” The essays here bear down on the necessity and impossibility of witnessing what literature transmits, and―like Beckett and Kafka―on what one might call the “default” of language, the tenuous border that binds writing and silence to each other. In addition to considerations of René Char, Paul Celan, and Michel Foucault, Blanchot offers a sustained encounter with the poems of Louis-René des Forêts and, throughout, a unique and important concentration on music―on the lyre and the lyric, meter and measure―which poetry in particular brings before us.

State Univ of New York Pr

Maurice Blanchot, the eminent literary and cultural critic, has had a vast influence on contemporary French writers—among them Jean Paul Sartre and Jacques Derrida. From the 1930s through the present day, his writings have been shaping the international literary consciousness. 
The Space of Literature, first published in France in 1955, is central to the development of Blanchot's thought. In it he reflects on literature and the unique demand it makes upon our attention. Thus he explores the process of reading as well as the nature of artistic creativity, all the while considering the relation of the literary work to time, to history, and to death. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarmé, Kafka, Rilke, and Hölderlin. Blanchot's discussions of those writers are among the finest in any language.

The Space of Literature: A Translation of "L'Espace littéraire"

Literary

University Of Nebraska Press

Modern history is haunted by the disasters of the century—world wars, concentration camps, Hiroshima, and the Holocaust—grief, anger, terror, and loss beyond words, but still close, still impending. How can we write or think about disaster when by its very nature it defies speech and compels silence, burns books and shatters meaning? The Writing of the Disaster reflects upon efforts to abide in disaster’s infinite threat. First published in French in 1980, it takes up the most serious tasks of writing: to describe, explain, and redeem when possible, and to admit what is not possible. Neither offers consolation. Maurice Blanchot has been praised on both sides of the Atlantic for his fiction and criticism. The philosopher Emmanuel Levinas once remarked that Blanchot's writing is a "language of pure transcendence, without correlative." Literary theorist and critic Geoffrey Hartman remarked that Blanchot's influence on contemporary writers "cannot be overestimated."

The Writing of the Disaster

The French Modernist Library Series. Devoted to translation of major French literary works of this century, concentrating on poetics and prose by poets.

Awaiting Oblivion (French Modernist Library)

Aminadab (French Modernist Library)

The world of Aminadab, Maurice Blanchot's second novel, is dark, bizarre, and fantastic. Reminiscent of Kafka's enclosed and allegorical spaces, Aminadab is both a reconstruction and a deconstruction of power, authority, and hierarchy. The novel opens when Thomas, upon seeing a woman gesture to him from a window of a large boarding house, enters the building and slowly becomes embroiled in its inscrutable workings. Although Thomas is constantly reassured that he can leave the building, he seems to be separated forever from the world he has left behind. The story consists of Thomas's frustrated attempts to clarify his status as a resident in the building and his misguided interactions with the cast of sickly, depraved, or in some way deformed characters he meets, none of them ever quite what they seem to be. Aminadab, the man who according to legend guards the entrance to the building's underground spaces, is only one of the mysteries reified by the rumors circulating among the residents.Written in a prose that is classical and at times lyrical, Blanchot's novel functions as an allegory referring, above all, to the wandering and striving movement of writing itself.

Modern history is haunted by the disasters of the centuryâ€”world wars, concentration camps, Hiroshima, and the Holocaustâ€”grief, anger, terror, and loss beyond words, but still close, still impending. How can we write or think about disaster when by its very nature it defies speech and compels silence, burns books and shatters meaning?Â The Writing of the Disaster reflects upon efforts to abide in disasterâ€™s infinite threat. First published in French in 1980, it takes up the most serious tasks of writing: to describe, explain, and redeem when possible, and to admit what is not possible. Neither offers consolation.Â Maurice Blanchot has been praised on both sides of the Atlantic for his fiction and criticism. The philosopher Emmanuel Levinas once remarked that Blanchot's writing is a "language of pure transcendence, without correlative." Literary theorist and critic Geoffrey Hartman remarked that Blanchot's influence on contemporary writers "cannot be overestimated."

The Writing of the Disaster/L'Ecriture Du Desastre

Maurice Blanchot, the eminent literary and cultural critic, has had a vast influence on contemporary French writers—among them Jean Paul Sartre and Jacques Derrida. From the 1930s through the present day, his writings have been shaping the international literary consciousness. 
The Space of Literature, first published in France in 1955, is central to the development of Blanchot's thought. In it he reflects on literature and the unique demand it makes upon our attention. Thus he explores the process of reading as well as the nature of artistic creativity, all the while considering the relation of the literary work to time, to history, and to death. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarmé, Kafka, Rilke, and Hölderlin. Blanchot's discussions of those writers are among the finest in any language.

See the best price to sell, buy, or rent books by Blanchot, Maurice. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Blanchot, Maurice

See the best price to sell, buy, or rent books by Blanchot, Maurice. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The sirens' song: Selected essays

The Step Not Beyond (Suny Series, Intersections : Philosophy and Critical Theory)

A Voice from Elsewhere (SUNY Series, Insinuations: Philosophy, Psychoanalysis, Literature)

A Voice from Elsewhere (SUNY Series, Insinuations: Philosophy, Psychoanalysis, Literature)

The Space of Literature: A Translation of "L'Espace littéraire"

The Writing of the Disaster

Awaiting Oblivion (French Modernist Library)

Aminadab (French Modernist Library)

The Writing of the Disaster/L'Ecriture Du Desastre

The Space of Literature: A Translation of "L'Espace littéraire"