Featuring contributions from widely published and practicing poets who are also experienced teachers and presenters of poetry, The Eye of the Poet: Six Views of the Art and Craft of Poetry provides students and other readers with invaluable practical advice. Ideal for courses in poetry writing and creative writing, it includes six sections written by Billy Collins, Carol Muske, David Baker and Ann Townsend, Yusef Komunyakaa, Maxine Kumin, and David Citino. These poets speak their minds about their relationship with their art and craft, offering guidance to writers at all levels of experience from the beginner to the veteran. In his section, Billy Collins looks at the ways reading and writing poetry give readers pleasure, while Carol Muske's essay examines the question, "What is a poem?" David Baker and Ann Townsend discuss the formal and musical aspects of composing and reading poems; they include many engaging exercises and directions to further reading. Yusef Komunyakaa enrolls readers in a virtual poetry workshop, Maxine Kumin considers the necessities and demands of audience, and David Citino talks about the roles that poets play as they conceive and execute their work. In their essays, the contributors include examples of poems--written by themselves or others--to illustrate key points. While the chapters are meant to be self-contained explorations, they are also interrelated parts of the volume as a whole. The Eye of the Poet is a stimulating conversation in which successful poets share with readers their enthusiasm, knowledge, and vision, as well as their estimation of the possibilities of the poem. In this book, students of poetry will discover the wide variety of options available to them when they sit down to create their own works.

The Eye of the Poet: Six Views of the Art and Craft of Poetry

Literature & Fiction

David Citino

Billy Collins

Yusef Komunyakaa

United States

Oxford University Press

'Billy Collins is one of my favourite poets in the world' Carol Ann Duffy Readers will only have to open this book at random to realize the privation a life without Billy Collins has been. A writer of immense grace and humanity, Billy Collins shows how the great forces of history and nature converge on the tiniest details of our lives - and in doing so presents them in a new radiance.'Billy Collins is one of my favourite poets in the world' Carol Ann Duffy Readers will only have to open this book at random to realize the privation a life without Billy Collins has been. A writer of immense grace and humanity, Billy Collins shows how the great forces of history and nature converge on the tiniest details of our lives - and in doing so presents them in a new radiance..." E. Annie Proulx

Taking Off Emily Dickinson's Clothes: Selected Poems

Poetry

Picador

A Billy Collins poem is instantly recognizable. “Using simple, understandable language,” notes USA Today, the two-term U.S. Poet Laureate “captures ordinary life–its pleasure, its discontents, its moments of sadness and of joy.” His everyman approach to writing resonates with readers everywhere and generates fans who would otherwise never give a poem a second glance.Now, in this stunning new collection, Collins touches on a greater array of subjects–love, death, solitude, youth, and aging–delving deeper than ever before. Ballistics comes at the reader full force with moving and playful takes on life. Drawing inspiration from the world around him and from such poetic forebears as Robert Frost, Paul Valéry, and eleventh-century poet Liu Yung, Collins drolly captures the essence of an ordinary afternoon: All I do these drawn-out daysis sit in my kitchen at Pheasant Ridgewhere there are no pheasants to be seenand, last time I looked, no ridge.Collins reflects on his solitude:If I lived across the street from myselfand I was sitting in the darkon the edge of the bedat five o’clock in the morning,I might be wondering what the lightwas doing on in my study at this hour.And he meditates on the effects of love:It turns everything into a symbollike a storm that breaks loosein the final chapter of a long novel.And it may add sparkle to a morning,or deepen a night when the bed is ringed with fire.As Collins strives to find truth in the smallest detail, readers are given a fascinating, intimate glimpse into the heart and soul of a brilliantly thoughtful man and exemplary poet.

Ballistics

Picador USA

However arresting, outlandish, or hilarious, the poems in Horoscopes for the Dead are typically prompted by the familiar things of the world: dogs, stars, food, love, and marriage as well as life's local triumphs and disappointments, joys and shames. Collins's gift is to unlock the mysterious in the ordinary, and he is always careful to take his reader with him. Indeed, no other living poet has done more to reengage and revitalize poetry's readership, or so deservedly earned its trust. Few poets have his ability to mix bold, unadorned statements with lyric invention and imaginative richness. And here in these new poems, Collins's inimitable tone - wry, smart, funny, and wise - takes on a darker shade, as the poems declare a deep awareness of transience and mortality. The result is the revelation of a world more precious, more fragile, richer in colour and form than ever. Praise for Billy Collins `A writer . . . fully aware of his work's power to delight' New York Times `A poet of plentitude, irony, and Augustan grace' New Yorker

Horoscopes for the Dead

Aimless Love: A Selection of Poems

BOOKS ON TAPE]

The Rain in Portugal by Billy Collins Signed Edition

Random House]

Whale Day

Questions About Angels: Poems

William Morrow

With an Introduction by Fred Chappell. Selections from 3,465 nominations made by editors of 364 other small independent literary presses and magazines, including college and university ones, of work they had published. Work from The Paris Review, BOA Editions, Curbstone Press, Ploughshares, The Literary Review, Firebrand Books, The Caribbean Writer, Tia Chucha Press, Tribe: An American Gay Journal, Thunder's Mouth Press and sixty-six others.The previous Editor's Choice volumes span the period from 1965 to 1978, and consist of 837 pages combined.

Editor's Choice III: Fiction, Poetry & Art from the U.S. Small Press

JULIA ALVAREZ

Paul Bowles

W.P. Kinsella

Faiz Ahmed Faiz

Amiri Baraka

Rita Dove

GREGORY CORSO

Among the 61 contributors of fiction and poetry: Grace Paley

Tom Disch

History & Criticism

Spirit That Moves Us Pr

With an Introduction by Fred Chappell. Selections from 3,465 nominations made by editors of 364 other small independent literary presses and magazines, including college and university ones, of work they had published. Work from The Paris Review, BOA Editions, Curbstone Press, Ploughshares, The Literary Review, Firebrand Books, The Caribbean Writer, Tia Chucha Press, Tribe: An American Gay Journal, Thunder's Mouth Press and sixty-six others. The previous Editor's Choice volumes span the period from 1965 to 1978, and consist of 837 pages combined.

Editor's Choice, III: Fiction, Poetry, & Art from the U.S. Small Press, 1984 to 1990 (Contemporary Anthology Series)

The Spirit That Moves Us Press

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Books by Billy Collins