The essential five-volume resource on the painting and sculpture of one of the world’s foremost contemporary artists For more than 60 years, Jasper Johns (b. 1930) has remained a singular figure in contemporary art. His most widely influential work—depictions of everyday objects and signs such as flags, targets, flashlights, and lightbulbs—helped change the face of the art world in the 1950s by introducing subject matter that stood in contrast to the prevailing style of Abstract Expressionism. In subsequent decades, Johns’s art has increasingly engaged issues of memory and mortality, often incorporating references to admired artistic predecessors. This definitive 5-volume catalogue raisonné documents the entire body of painting and sculpture made by Johns from 1954 through 2014, encompassing 355 paintings and 86 sculptures. Each work is illustrated with a full-page reproduction, nearly all of which were commissioned expressly for this publication. A decade of research underpins the project, with thorough documentation of each object and an overarching monograph that represents the most comprehensive study of the artist’s work to date. All facets of the catalogue reflect the input of the artist, who worked closely with the author at all stages.

Jasper Johns: Catalogue Raisonné of Painting and Sculpture

Arts & Photography

Bernstein, Roberta

History & Criticism

The Wildenstein Plattner Institute

“My work is largely concerned with relations between seeing and knowing, seeing and saying, seeing and believing.”—Jasper Johns, 1965 Spanning over 60 years of Jasper Johns’s (b. 1930) prolific career, this spectacular publication is the most comprehensive and definitive study of the artist’s work to date. Written by noted Johns expert Roberta Bernstein, the book explores the synergy between continuity and change in the development of the artist’s work through 2014. The text is enlivened by the voluminous insight Bernstein has gained over decades of knowing the artist, and she incorporates Johns’s own unique manner of talking about his art through interviews and public statements. Each chapter is focused on a specific time period and its prevailing themes in Johns’s paintings and sculptures, and throughout the book related drawing and prints are referenced as contributions to an advanced understanding of the work. The book’s compelling subtitle (the phrase appears, camouflaged, in Johns’s 1966 painting Passage II), indicating an “eye” and an exhortation to “redo” it, neatly summarizes a persistent aspect of Johns’s art. His works—at turns ambiguous, ironic, and poignant—simultaneously engage the visual senses and challenge habits of perception. Jasper Johns: Redo an Eye is a thoughtful celebration of how Johns’s art inspires the viewer to resist habits of perception, in turn affecting the way one experiences and interacts with the world: the hallmark of an extraordinary artist.

Jasper Johns: Redo an Eye

Yale University Press

Accompanying the major exhibition at The Museum of Modern Art, New York, in 1996-97, Jasper Johns: A Retrospective contains 264 color plates illustrating Johns's work in all its facets - paintings, drawings, sculptures, and prints. An introductory essay by Kirk Varnedoe, the exhibition's curator, looks back through the layers of memory in Johns's recent work to review the essential themes that have engaged the artist since his epoch-making Flag and Target paintings of the mid-1950s. In the book's second essay, Roberta Bernstein analyzes a crucial tactic in Johns's art: his many methods of referring to predecessor artists ranging from Leonardo and Grunewald to Cezanne, Duchamp, and Picasso. The illustrations for Bernstein's essay include a fourteen-page section reproducing the images she discusses - a striking visual demonstration of the variety of the art that Johns's work gathers together and transforms. Varnedoe then takes the opposite approach to Bernstein's, exploring how Johns's art has been interpreted by the artists of his and our own time: from the Pop, Minimal and Conceptual movements of the 1960s through to the new art of today, his work has proved rich enough to have a fundamentally influential impact on an extraordinarily diverse array of artists. The plates in Jasper Johns: A Retrospective are arranged in sections according to the stages of Johns's career, allowing comparison of paintings, drawings, sculptures, and prints from each period of his art as it has developed and changed. This comprehensive selection of reproductions is interwoven with an illustrated chronology tracing Johns's life and work with unprecedented accuracy and thoroughness.

Jasper Johns: A Retrospective

Individual Artists

Harry N.Abrams, Inc.

Jasper Johns' Paintings and Sculptures 1954-1974: "The Changing Focus of the Eye." (STUDIES IN THE FINE ARTS AVANT-GARDE)

Umi Research Pr

Jasper Johns' Paintings and Sculptures 1954-1974: "The Changing Focus of the Eye."

Briefly describes John's life and career, shows fifteen of his major works, and includes comments on their composition

Jasper Johns (Rizzoli Art Classics)

Rizzoli

New in Paperback The work of Jasper Johns occupies a key position in the art of the second half of the 20th century. Jasper Johns: A Retrospective is the most complete and authoritative book on the artist to date, containing 264 color plates illustrating his work in all its facets--paintings, drawings, sculptures, and prints. Accompanying essays review Johns' essential themes; analyze his many methods of referring to predecessor artists; and explore how his art has been viewed by other artists. The plates are arranged in sections according to the stages of Johns' career, allowing comparison of paintings, drawings, sculptures, and prints from each period of his art as it developed and changed. This comprehensive selection of reproductions is interwoven with an illustrated chronology tracing Johns' life and work with unprecedented accuracy and thoroughness. With its scholarly essays, chronology, and extensive bibliography, Jasper Johns: A Retrospective is the indispensable reference work on this crucially important artist. This volume was originally published to accompany the major exhibition of Johns' work held at The Museum of Modern Art, New York, in 1996-97.

Jasper Johns

Lowry, Glenn

The Museum of Modern Art, New York

Jasper Johns's art unites mastery, mystery, simplicity, and contradiction. His methodical working process combines intense deliberation and experimentation, obsessive craft, cycles of revision and repetition, and decisive shifts of direction. Johns also frequently borrows images from other artists, which, ironically, only underscores the originality of his own vision. His work occupies a key position in the art of the second half of the twentieth century. Jasper Johns: A Retrospective is the most complete and authoritative resource on it available, containing 264 color plates illustrating his paintings, drawings, sculptures, and prints. Accompanying essays review his essential themes, analyze his references to other artists, and explore how his contemporaries have, in turn, seen and absorbed his own work. The plates are arranged to follow the stages of his career, allowing comparison of paintings, drawings, sculptures, and prints from each period, as his style developed and changed. That comprehensive selection of reproductions is interwoven with an illustrated chronology tracing Johns' life and work with unprecedented accuracy and thoroughness. With its scholarly essays and extensive bibliography, Jasper Johns: A Retrospective is the indispensable reference work on this crucial artist. This volume was originally published to accompany the major exhibition of Johns' work held at The Museum of Modern Art in 1996 and 1997, his first full retrospective in 20 years. It has been out of print since 2002.

Tone, Lilian

Reference

Red Green Blue is almost the title of a 1963 painting by Ellsworth Kelly. Red Blue Green, a monumental rectangular oil work, considered a crucial fulcrum point in the artist's career, represents Kelly's concerns about the tension between the figure and the ground, offering two precisely shaped and balanced red and blue forms set against a strongly contrasting green ground. Working within a strict set of limits, he created a string of similarly grand, powerful works and defined many of the ideas about line, form, and color that still drive his work today. These works, made from the late 50s to the mid-60s, established the artist's singular style and his reputation as one of the most innovative abstract painters of the latter half of the 20th century, one who boldly broke with the strictures of the abstract expressionist movement, which dominated painting in the United States in the 50s. Exploring the complex interplay of invented and real-world inspirations that led to this body of figure/ground paintings, this volume presents a selection of 21 major paintings and 36 related drawings, collages, and photographs from that time period, as well as a new painting from 2002 that reexamines related concerns.

Ellsworth Kelly: Red Green Blue--Paintings and Studies, 1958-1965

Davies, Hugh

Rich, Sarah

Kamps, Toby

Museum of Contemporary Art, San Diego

One, two, three, four, five, six, seven, eight, nine, ten. And then some. Between 1954 and 1960, Jasper Johns developed his well-known repertory of flat images, including flags, targets, alphabets, words, maps, and numbers--subjects drawn not from popular culture so much as from human consciousness. His explorations of these familiar symbols drew attention to how reality is represented through such visual signs, and how we interpret them. This exhibition catalogue accompanies the first show to concentrate in depth on a single subject by Johns--Numbers--and it brings together painting, drawing, collage, and printmaking from all periods of his career, focusing on the years between 1955 and 1979. Included are an in-depth essay by curator Roberta Bernstein, who has written extensively on Johns, color plates of all the works in the exhibition, illustrations of other important works, and a list of all works by Johns on the subject, organized by theme.

Jasper Johns: Numbers

Reid, Katharine Lee

Foster, Carter

The Cleveland Museum of Art

See the best price to sell, buy, or rent books by Bernstein, Roberta. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Bernstein, Roberta

See the best price to sell, buy, or rent books by Bernstein, Roberta. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Jasper Johns: Catalogue Raisonné of Painting and Sculpture

Jasper Johns: Redo an Eye

Jasper Johns: A Retrospective

Jasper Johns' Paintings and Sculptures 1954-1974: "The Changing Focus of the Eye." (STUDIES IN THE FINE ARTS AVANT-GARDE)

Jasper Johns' Paintings and Sculptures 1954-1974: "The Changing Focus of the Eye."

Jasper Johns (Rizzoli Art Classics)

Jasper Johns

Jasper Johns: A Retrospective

Ellsworth Kelly: Red Green Blue--Paintings and Studies, 1958-1965

Jasper Johns: Numbers