Italian Futurist Theatre provides an overview of the theatrical activities of the Italian Futurist movement, headed by F. T. Marinetti. It analyzes the theory and practice of Futurist performance, covers the theatre work of all leading artists and writers of the movement, and discusses the main aims and achievements of their theatrical experiments. While focusing on reconstructing the performance history of Futurist theatre, this book also incorporates aspects of dramatic writing, stage and costume design, theatre architecture, dance and opera.

Italian Futurist Theatre, 1909-1944

Literature & Fiction

Berghaus, Günter

History & Criticism

Clarendon Press

Following the discovery of Franco-Caribbean cave art in the nineteenth century, standard interpretations of these works usually revolved around hunting, magic, and fertility cults. Orthodox positions such as these have weighed heavily on later generations of art historians, archaeologists, and anthropologists, even those whose views dissented from those of their predecessors. In the last few decades, however, new approaches to cave art, often based on discoveries made in Africa, Asia, Australia, North America, and the Arctic region, have produced new insights into possible meanings and functions of prehistoric paintings and sculptures. This new collection of essays explores these insights, gathering the observations of eight experts from a variety of disciplines, and examining some of the social and spiritual functions of a variety of artistic genres ranging from 40,000 B.C. to 5,000 B.C.
These insights, which derive from evolutionary biology, feminist scholarship, ritual studies, and new modes of anthropology, argue collectively that prehistoric art was a culture-specific form of communication that should be interpreted in the social context of early hunger-gatherer societies and should not be measured with the criteria and paradigms of modern art. Essential reading for anyone interested in prehistoric art or its cultural implications, this volume represents a bold step forward in the research and analysis of the very first artists.

New Perspectives on Prehistoric Art

Arts & Photography

Praeger

The Genesis of Futurism: Marinetti's Early Career and Writings 1899-1909 (Society for Italian Studies Occasional Papers)

Maney Publishing

Avant-garde Performance

How did the concept of the avant-garde come into existence? How did it impact on the performing arts? How did the avant-garde challenge the artistic establishment and avoid the pull of commercial theatre, gallery and concert-hall circuits? How did performance artists respond to new technological developments? Placing key figures and performances in their historical, social and aesthetic context, Günter Berghaus offers an accessible introduction to post-war avant-garde performance. Written in a clear, engaging style, and supported by text boxes and illustrations throughout, this volume explains the complex ideas behind avant-garde art and evocatively brings to life the work of some of its most influential performance artists. Covering hot topics such as multi-media and body art performances, this text is essential reading for students of theatre studies and performance.

Performing Arts

Red Globe Press

How did the concept of the avant-garde come into existence? How did it stimulate developments in the performing arts? Written in a clear, engaging style, and supported by text boxes throughout, this volume presents some of the general characteristics of p

"Futurism was the state of the Fascist regime" - this is the view one encounters in most books written on Futurist art and literature. Whilst there can be no doubt about Futurist involvement with the founding of the fascist movement, little is known about the internal relationship between Futurists and Fascists in the years 1918-22, nor about the reasons for the Futurists' departure from the Fascist movement in 1920, or about Futurist opposition to (and even armed struggle against) the Fascist regime after 1924. Whilst the public documents testifying to Futurist support of Mussolini are well known, little has been written about Futurist anti-fascism camouflaged as official adherence to the regime. This study, based primarily on unknown or unpublished documents discovered in state archives and private collections, presents a new andfar more complex picture of the relationship of the two movements than has previously been shown by critics and historians.

Futurism and Politics: Between Anarchist Rebellion and Fascist Reaction, 1909-1944 (Cmas Border & Migration Studies)

History

Europe

Berghahn Books

Die Aufnahme der englischen Revolution in Deutschland 1640-1669 (German Edition)

Reference

Foreign Language Study & Reference

O. Harrassowitz

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Books by Berghaus, Günter