@ Worship: Liturgical Practices in Digital Worlds (Liturgy, Worship and Society Series)

A host of both very old and entirely new liturgical practices have arisen in digital mediation, from the live-streaming of worship services and "pray-as-you-go" apps, to digital prayer chapels, virtual choirs and online pilgrimages. Cyberspace now even hosts communities of faith that exist entirely online. These digitally mediated liturgical practices raise challenging questions: Are worshippers in an online chapel really a community at prayer? Do avatars that receive digital bread and wine receive communion? @ Worship proposes a nuanced response to these sometimes contentious issues, rooted in familiarity with, and sustained attention to, actual online practices.\nFour major thematic lines of inquiry form the structure of the book. After an introductory chapter the following chapters look at digital presence, virtual bodies, and online participation; ecclesial communities in cyberspace; digital materiality, visuality, and soundscapes; and finally the issues of sacramental mediation online. A concluding chapter brings together the insights from the previous chapters and maps a way forward for reflections on digitally mediated liturgical practices.\n@ Worship is the first monograph dedicated to exploring online liturgical practices that have emerged since the introduction of Web 2.0. Bringing together the scholarly tools and insights of liturgical studies, constructive theology and digital media theories, it is vital reading for scholars of Theology and Religion with as well as Sociology and Digital Culture more generally.

Religion & Spirituality

BERGER, TERESA

Christian Books & Bibles

Routledge

With its focus on narratives, its attention to contextual and material realities, and its collection of women-identified liturgies in global context, Dissident Daughters claims prominence within the growing literature on women's ways of worship. This book not only introduces liturgical texts, but focuses on the communities that create and celebrate these liturgies. Dissident Daughters gives voice to the women activists in these communities who show how their communities came into being; how social, cultural, and political realities shaped them and their liturgies; and how they envision their lives in and as communities of faith. In drawing the different narratives together, Dissident Daughters displays the expanse of the worldwide expression of women's rites, and how each is shaped by distinctly different contexts of struggle and hope.

Dissident Daughters: Feminist Liturgies in Global Context

Politics & Social Sciences

Sociology

Westminster/John Knox Press

Of the many hymnbooks published by John and Charles Wesley, the most important was A Collection of Hymns for the Use of the People Called Methodists (1780). Taking this volume as a case study and concentrating on the Charles Wesley hymns included in it, Teresa Berger clarifies the relationship between the language of doxology of worship and praise of God and the substance of theological reflection. She identifies the central theological themes and emphases in this body of hymnody, and raises the question of how theology can be embodied in hymns. Central to her argument is the claim that the theological analysis of doxological material is possible only when it takes care to recognize and safeguard the characteristics, the criteria of authenticity, and the tests of authority and legitimacy peculiar to doxological language. Part One of the book sets the whole discussion within the context of a renewed interest in doxological and liturgical traditions across Christianity by showing how the relationship of doxology and theology is an important topic of theological discussion in Roman Catholic, Protestant, Orthodox, and ecumenical circles. Part Two is devoted to a thorough theological analysis of the central themes and images of the 1780 Collection. Part Three attempts to clarify the nature of doxology in its relation to theology.

Theology in Hymns?: A Study of the Relationship of Doxology and Theology According to A Collection of Hymns for the Use

Arts & Photography

Music

Kingswood Books

The richness of recent research on women's worship gives witness to the scholarly interest in its contemporary practice, reflection, and construction. On the other hand, feminist scholarship has had little impact on liturgical historiography. In Women's Ways of Worship Teresa Berger reconstructs liturgical history from the perspectives of women. She shows that the invisibility of women in the traditional liturgical narrative draws into question the credibility of that narrative, especially at a time when research into women's history has unearthed much material relevant to women's liturgical lives.
Berger focuses on thirteen key interpretative principles that guide the reconstruction of women at worship - from a re-configuration of the canon of sources and a re-Visioning of liturgical periodization to re-interpretation of anthropological basics and of liturgical texts. On the basis of these principles, she analyzes liturgical dynamics in two time periods crucial to the history of women at worship: the early centuries of the Christian Church and the twentieth-century liturgical renewal. Within the twentieth-century liturgical renewal, Berger focuses on two specific foci of renewal: the classical liturgical movement of the first half of the century, and - as a case of history-in-the- making" - the women's liturgical movement of the present day.
Women's Ways of Worship narrates both past and present liturgical developments from the perspectives of women's lives, heeding such dynamics as the genderization of liturgical space, women- specific liturgical taboos, gender-specific devotional practices, and the emergence of feminist liturgies. An epilogue confronts the question of a future liturgy "beyond gender."
Convinced that reconstructing the history of women at worship will offer a new Vision of the place of the women's liturgical movement within liturgical history as a whole, Berger puts this movement on a continuum of women at worship, which is a continuum of struggle against the historic marginalization of women in most liturgical contexts. As this struggle has come to the forefront today, Women's Ways of Worship provides a context for change, with women themselves being agents of both the questioning and the transformation.
Chapters are "Reconstructing Women's Ways of Worship: In Search of Methodological Principles," "Liturgical History Re-Constructed (I): Early Christian Women at Worship," "Liturgical History Re- Constructed (II): Women in the Twentieth-Century Liturgical Movement," and "Liturgical History in the Making: The Women's Liturgical Movement."
Teresa Berger is associate professor of Ecumenical Theology at the Divinity School of Duke University, Durham, North Carolina. She is the author of numerous books and contributor to a variety of journals including Worship, published by The Liturgical Press. "

Women's Ways of Worship: Gender Analysis and Liturgical History

Liturgical Press

Two-time Catholic Press Award winner. What do the feasts of the liturgical year look like when seen from the perspective of women? How do traditions become enriched when we remember the women who have handed them down? From "Clare and Clairol" to "The Making of Love: An ABC," Fragments of Real Presence, from the Yale professor silenced by the Vatican, offers us a rich landscape of insights throughout the liturgical calendar. Each fragment is a different kind of meditation—a hymn, a theological reflection, a historical discussion, a poem—giving us new ways to see with the eyes of women past and present. From their experience, our own spiritual experience of the traditions and the possibilities for the future will be enhanced and deepened.

Fragments of Real Presence: Liturgical Traditions in the Hands of Women

Herder & Herder

A host of both very old and entirely new liturgical practices have arisen in digital mediation, from the live-streaming of worship services and "pray-as-you-go" apps, to digital prayer chapels, virtual choirs and online pilgrimages. Cyberspace now even hosts communities of faith that exist entirely online. These digitally mediated liturgical practices raise challenging questions: Are worshippers in an online chapel really a community at prayer? Do avatars that receive digital bread and wine receive communion? @ Worship proposes a nuanced response to these sometimes contentious issues, rooted in familiarity with, and sustained attention to, actual online practices. Four major thematic lines of inquiry form the structure of the book. After an introductory chapter the following chapters look at digital presence, virtual bodies, and online participation; ecclesial communities in cyberspace; digital materiality, visuality, and soundscapes; and finally the issues of sacramental mediation online. A concluding chapter brings together the insights from the previous chapters and maps a way forward for reflections on digitally mediated liturgical practices. @ Worship is the first monograph dedicated to exploring online liturgical practices that have emerged since the introduction of Web 2.0. Bringing together the scholarly tools and insights of liturgical studies, constructive theology and digital media theories, it is vital reading for scholars of Theology and Religion with as well as Sociology and Digital Culture more generally.

Gender Differences and the Making of Liturgical History: Lifting a Veil on Liturgy's Past (Liturgy, Worship and Society Series)

Mapping uncharted territory in the study of liturgy's past, this book offers a history to contemporary questions around gender and liturgical life. Teresa Berger looks at liturgy's past through the lens of gender history, understood as attending not only to the historically prominent binary of "men" and "women" but to all gender identities, including inter-sexed persons, ascetic virgins, eunuchs, and priestly men. Demonstrating what a gender-attentive inquiry is able to achieve, Berger explores both traditional fundamentals such as liturgical space and eucharistic practice and also new ways of studying the past, for example by asking about the developing link between liturgical presiding and priestly masculinity. Drawing on historical case studies and focusing particularly on the early centuries of Christian worship, this book ultimately aims at the present by lifting a veil on liturgy's past to allow for a richly diverse notion of gender differences as these continue to shape liturgical life.

Social Sciences

Mapping uncharted territory in the study of liturgy's past, this book offers a history to contemporary questions around gender and liturgical life. Teresa Berger looks at liturgy's past through the lens of gender history, understood as attending not only to the historically prominent binary of "men" and "women" but to all gender identities, including inter-sexed persons, ascetic virgins, eunuchs, and priestly men. Demonstrating what a gender-attentive inquiry is able to achieve, Berger explores both traditional fundamentals such as liturgical space and eucharistic practice and also new ways of studying the past, for example by asking about the developing link between liturgical presiding and priestly masculinity. Drawing on historical case studies and focusing particularly on the early centuries of Christian worship, this book ultimately aims at the present by lifting a veil on liturgy's past to allow for a richly diverse notion of gender differences as these continue to shape liturgical life.

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Books by BERGER, TERESA

See the best price to sell, buy, or rent books by BERGER, TERESA. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

@ Worship: Liturgical Practices in Digital Worlds (Liturgy, Worship and Society Series)

Dissident Daughters: Feminist Liturgies in Global Context

Theology in Hymns?: A Study of the Relationship of Doxology and Theology According to A Collection of Hymns for the Use

Women's Ways of Worship: Gender Analysis and Liturgical History

Fragments of Real Presence: Liturgical Traditions in the Hands of Women

@ Worship: Liturgical Practices in Digital Worlds (Liturgy, Worship and Society Series)

Gender Differences and the Making of Liturgical History: Lifting a Veil on Liturgy's Past (Liturgy, Worship and Society Series)

Gender Differences and the Making of Liturgical History: Lifting a Veil on Liturgy's Past (Liturgy, Worship and Society Series)