Edvard Grieg (1843–1907) is known to every music lover for his Peer Gynt suite, piano concerto, and arrangements of folk songs. When Edvard Grieg: The Man and the Artist was first published in Norway in 1980 it was quickly rec-ognized as the definitive biography of the great composer. Finn Benestad and Dag Schjelderup-Ebbe, the world's leading authorities on Grieg, lent liveliness and objectivity to their book after decades of dedicated research. Working with the authors, William H. Halverson and Leland B. Sateren have now translated the biography into English, updating it to include details of astonishing new developments: the discovery in the 1980s of a cache of manuscripts and letters by Grieg and the publication and performance (for the first time since 1867) of his only symphony.
Edvard Grieg: The Man and the Artist sets the Norwegian composer's life and career in the context of his times and casts new light on the origin and musical significance of many of his composi-tions. As in the original edition, the text is accompanied by a parallel column of primary materials—documents and musical examples—and is lavishly illustrated. Both scholars and general readers will revel in this musical feast.

Edvard Grieg: The Man and the Artist (English and Norwegian Edition)

Biographies & Memoirs

Benestad, Finn

Schjelderup-Ebbe

Arts & Literature

University Of Nebraska Press

Edvard Grieg: The Man and the Artist

Gloucester: Alan Sutton Publishing

Johan Svendsen was one of the most important musical figures of the late Romantic period. His reputation spread rapidly after his international breakthrough in the late 1860s, and from then until 1883, when he became musical director at the Royal Opera House in Copenhagen, his fame as a composer grew steadily. His list of compositions includes, in addition to two fine symphonies, such orchestral masterworks as the four Norwegian Rhapsodies, Carnival in Paris, Festival Polonaise, Zorahayda, Norwegian Artists’ Carnival, and the famous Romance for Violin and Orchestra. Until about 1890 Svendsen was the Nordic composer whose works were performed most frequently outside Scandinavia. As a conductor he was also instrumental in launching the careers of his contemporaries, Carl Nielsen and Jean Sibelius. In 1898 Svendsen was invited to become musical director of both the Metropolitan Opera and the New York Philharmonic orchestra. Svendsen, however, did not wish to risk his secure position in Copenhagen for an uncertain future in a foreign environment.

Johan Svendsen: The Man, the Maestro, the Music

Arts & Photography

Schjelderup-Ebbe, Dag

Music

Peer Gynt Pr

Edvard Grieg: Mennesket og kunstneren (Norwegian Edition)

Reference

Foreign Language Study & Reference

Aschehoug

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