One of the most important German artists of the twentieth century, Max Beckmann is known for the depth and sensuous force of his works, but little is known about his personal life. Self-Portrait in Words reveals Beckmann's experience of life from the first years of his career in Berlin and Paris through his final years in the United States. This collection of Beckmann's writings serves as a companion to his art and a testament to the complexities of his life. "Barbara Copeland Buenger . . . has done an excellent job of editing and annotating Beckmann's voluminous private and public writings."—Andrea Barnet, New York Times Book Review

Max Beckmann: Self-Portrait in Words: Collected Writings and Statements, 1903-1950

Beckmann, Max

Biographies & Memoirs

University of Chicago Press

One of the most important German artists of the twentieth century, Max Beckmann is known for the depth and sensuous force of his works, but little is known about his personal life. Self-Portrait in Words reveals Beckmann's experience of life from the first years of his career in Berlin and Paris through his final years in the United States. This collection of Beckmann's writings serves as a companion to his art and a testament to the complexities of his life. "Barbara Copeland Buenger . . . has done an excellent job of editing and annotating Beckmann's voluminous private and public writings."—Andrea Barnet, New York Times Book Review

Self-Portrait in Words: Collected Writings and Statements, 1903-1950

Max Beckmann was among the greatest painters of the 20th century, yet no retrospective of his work has been mounted in the art capitals of New York, London, and Paris in over 30 years. Perhaps the lapse of attention has to do with the importance of abstraction in 20th-century art, and Beckmann's work is always figurative, simultaneously muscular and enigmatic and has enormous and unsettling power. Beckmann began his career as a naturalist and Symbolist in the period before World War I. After the war he developed a unique pictorial style that mixed expressionist color and gesture, mythological and mystical allegory, and the harsh new objectivity of his portrayal of modern life throughout the Nazi reign of terror. A prolific artist in painting, drawing, and printmaking--as well as a powerful sculptor--Beckmann created mysterious images and dense tableaux of unparalleled intensity and complexity during an odyssey that took him from his native Germany to Paris, Amsterdam, St. Louis, and New York. A new examination of Beckmann's role and reputation during the first half of the 20th century has been eagerly awaited. Making use of new scholarship and previously unavailable research materials, this book sheds light on Beckmann's work and his influence on and interactions with the artists of his day. Essays include discussions of Beckmann's Frankfurt cityscapes, his pictures from Italy, his triptychs, his group portraits, and his relationship with cultural politics in the 1920s and 1930s; texts and interviews by artists Leon Golub and Ellsworth Kelly; curator Robert Storr on "The Beckmann Effect"; and artist William Kentridge on Beckmann's Death. This sumptuous volume is published on the occasion of the retrospective exhibition mounted jointly by the Tate Modern, Centre Georges Pompidou, and The Museum of Modern Art, New York. It is the first comprehensive exhibition of Beckmann's work to be seen in the United States since 1984, and the first in New York since 1964.

Max Beckmann

Arts & Photography

Individual Artists

Ayer Co. Pub

Max Beckmann: The triptychs : an exhibition organised by the Whitechapel Art Gallery in association with the Arts Council of Great Britain, 13 November 1980-11 January 1981

Published by the Trustees of the Whitechapel Art Gallery

Throughout the twentieth century, the evolution of mainstream Modernism in the arts has been shadowed and made complex by alternative expressions of a seemingly retrograde type, art that appears to set back the clock or to redirect the stream of progress. Modern Art Despite Modernism explores the anti-Modernist impulse in painting and sculpture through socio-cultural conflicts of the 1920s, 30s and 40s. Texts by Robert Storr advocate the strengths of this impulse in paintings and drawings by Otto Dix, Lucian Freud, Francesco Clemente and even Pablo Picasso--and note the enduring popularity of such artists as Pavel Tchelitchew, whose "Hide and Seek," along with Andrew Wyeth's "Christina's World," remain among the public's favorite pictures. Storr also discusses taste and its implications, both part and present, for institutions like The Museum of Modern Art. This book was published as the second in a series of three titles, in conjunction with the millennial exhibitions schedule of MoMA2000 at The Museum of Modern Art, New York.

Modern Art Despite Modernism

Matisse, Henri

BACON, FRANCIS

O'Keeffe, Georgia

Dalí, Salvador

Shahn, Ben

Balthus

Lowry, Glenn

RICHTER, Gerhard

Clemente, Francesco

GROSZ, George

Lowry, Glenn D.

De Chirico, Giorgio

FREUD, Lucian

STORR, Robert

History & Criticism

The Museum of Modern Art, New York

Perfect condition. Really amazing example of this book.

On My Painting

Hanuman Books

Max Beckmann is widely regarded as one of the most important figurative painters of the last hundred years. In On My Painting he reveals what it is that inspires his work. It was written in 1938 at a crucial juncture in Beckmann's life, and read by him at the opening in London of the Twentieth-Century German Art exhibition, a deliberate riposte to the Degenerate Art exhibition staged by the Nazi regime in Germany. In concise, emotive, sometimes enigmatic language, Beckmann outlines not only his artistic, but also his moral and spiritual vision. On My Painting is essential for anyone seeking to understand one of the most complex artists of the twentieth century.

Max Beckmann On My Painting

Tate

Beckmann

CENTRE POMPIDOU

Max Beckmann (CATALOGUES DU M.N.A.M)

Reference

Foreign Language Study & Reference

Editions du Centre Pompidou

Max Beckmann: Gravures, 1911-1946 (French Edition)

Diffusion, Seuil

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