BEARDSLEY

Beardsley, Aubrey

Biographies & Memoirs

RANDOM HOUSE UK

Aubrey Beardsley: Sixty Selected Drawings

Arts & Photography

Drawing

St Martins Pr

Salome: A Tragedy in One Act

Salome: A Tragedy in one Act

Wilde, Óscar

History

Franklin Classics

The Poems Of Ernest Dowson: With A Memoir By Arthur Symons

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Symons, Arthur

Dowson, Ernest Christopher

The Yellow Book; Volume 1

Harland, Henry

Sixty drawings, selected and commented on by a distinguished art critic, form a representative selection of the controversial nineteenth-century British illustrator's work

Best of Aubrey Beardsley

CLARK, Kenneth

McKenzie, Baron Clark

DOUBLEDAY

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.  This work was reproduced from the original artifact, and remains as true to the original work as possible.  Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.   This work is in the public domain in the United States of America, and possibly other nations.  Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc.  Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Under the hill: And other essays in prose and verse (Masterpieces of the illustrated book)

Paddington Press : distributed by Grosset & Dunlap

Few works in English literature have so peculiar a history as Oscar Wilde's play Salome. Written originally in French in 1892 and ridiculed on its publication, translated into English by Lord Alfred Douglas ("Bosie" himself) and again heaped with scorn, it has survived for 75 years, served as the text (in abridged form) for Richard Strauss' world-famous opera, and emerged as an acknowledged masterwork of the Aesthetic movement of fin de siècle England. The illustrations that Aubrey Beardsley prepared for the first English edition have no less strange a story. Beardsley liked neither the play nor its author. Yet, it inspired some of his finest work. It is an open question as to how suited the drawings actually are to the text that Wilde wrote. Yet, the two, the play and the Beardsley illustrations, have nevertheless become so identified with each other as to be inseparable. This edition reprints the first edition (1894) text, with "A Note on 'Salome'" by Robert Ross. The Beardsley drawings it superbly reproduces (mostly from a rare early portfolio) include not only the 10 full-page illustrations, the front and back cover designs, the title and List of Illustrations page decorations, and the cul de lampe from the original edition, but also three drawings that were not used, an alternate cover sketch, and the drawing entitled "J'ai baisé ta bouche, Iokanaan," which Beardsley did earlier for The Studio. Furthermore, all of the illustrations are reproduced in their original state, not as expurgated in the first and most subsequent editions.

History & Criticism

Dover Publications

Only rarely in publishing history has the ideal edition of a literary work been created, where text, typography, and illustrations complement one another perfectly. Among the few examples are the Kelmscott Chaucer, Baskerville's Milton, and Beardsley's Salome. Another such book is the 1896 edition of Pope's The Rape of the Lock, illustrated by Aubrey Beardsley. Beardsley's elaborate drawings for The Rape of the Lock were created during the last phase of his brief career. This nearly Romantic period, characterized by rich, brilliantly imagined decoration and ornamentation and by high textual contrasts, was perfectly suited to the blend of mock-heroic, satire, and delicate fancy of Pope's poems. As Beardsley's biographer R. A. Walker wrote, "These drawings show a verve, a wit and appreciation of the poem than can scarcely be matched in English literature." Using his unique line and "black blot" technique, Beardsley created a masterpiece of design and mood. This Dover edition reproduces the first edition: the complete text of the five-canto poem, notes, seven full-page drawings, two half-page drawings, and the original cover design by Beardsley.

The Rape of the Lock

Pope, Alexander

Individual Artists

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