The most widely admired paintings by Andy Warhol - and the most reviled - are his portraits. About Face, which accompanies an exhibition organized by the Wadsworth Atheneum, presents the first overview of Warhol's portraiture to embrace all periods and media. About face refers both to Warhol's fascination with images of the human face and to his characteristic method of reversal. For example, Warhol reverses the portraitist's goal to capture the essence of a subject's individuality in his factory production of Warhol portraits. His portraits are about the creation of faces (as the public masks onto which identity is projected) rather than the revealing of a true self. Warhol's portraits, which reveal the artificial aspects of public identity, intitiate a democracy of fame and beauty, where everyone has superstar potential.

About Face: Andy Warhol Portraits

Arts & Photography

Baume, Nicholas

Wadsworth Atheneum

Crimp, Douglas

Meyer, Richard

WARHOL, Andy.

Miami Art Museum of Dade County

Collections, Catalogs & Exhibitions

The Wadsworth Atheneum/The Andy Warhol Museum/MIT Press

A comprehensive presentation of Ai Weiwei’s recent Public Art Fund exhibition Good Fences Make Good Neighbors,a powerful reflection on the global refugee crisis Internationally renowned Chinese artist and activist Ai Weiwei (b. 1957) transformed over 300 sites across New York City into a compelling, ambitious public art exhibition concerned with the global refugee and migration crises. Good Fences Make Good Neighbors (on view from October 2017 to February 2018) consisted of immersive large-scale sculptures for city monuments, fences on building facades and bus stops, and portraits of refugees and immigrants displayed on outdoor banners. This publication documents the extraordinary project from conception to final installation, giving a behind-the-scenes look at the research, preparatory drawings, planning, and fabrication that brought it to life. The book includes an in-depth interview with Ai Weiwei about the project’s personal significance, an essay by curator Nicholas Baume, and statements from a wide variety of individuals—including Olafur Eliasson, David Miliband, Hans Ulrich Obrist, and Jorge Ramos, among many others—about their interactions with the artworks. As Baume asserts, “Ai Weiwei created a remarkable model for what great public art strives to be—emotionally engaging and politically resonant, conceptually and formally inventive yet broadly accessible.”

Ai Weiwei: Good Fences Make Good Neighbors

History & Criticism

Other Distribution

Sport stars break down in Senate hearings. A presidential race is derailed by a scream. Giddy video-game car thieves celebrate. From the rise of sensitive superheroes to the proliferation of mood-regulating drugs like Prozac, the concept and culture of emotion runs deeply through our experience of contemporary life and the images that we see. Getting Emotional presents the work of a diverse selection of artists for whom emotion is an important subject. The exhibition charts the profound attention paid to emotion by artists during the past decade and a half, while also including work from the 1960s to the 1980s that anticipates this recent exploration. Approaching the theme in video, photography, painting, and sculpture, works like Chloe Pieneis video of an anguished, open-mouthed woman or Paul Pfeifferis video of a roaring basketball player, along with contributions from Bas Jan Ader, Chris Ofili, and other international stars, measure the distance weive come in letting ourselves go.

Getting Emotional

Inst of Contemporary Art

The book titled "Kai Kein Respect" accompanies the first major survey exhibition of Kai Althoff, one of the most compelling and original voices in Contemporary Art. Organized by the Institute of Contemporary Art, Boston, the exhibition documents the most important aspects of the artist's work over the past fifteen years. Co-published by Bridge House Publishing and the ICA, Boston, the book offers full-color illustrations of Althoff's drawings, watercolors, collages, paintings, photographs, performances and installations presinting a comprehensive overview of his complex and varied oeuvre. 
Nicholas Baume, Chief Curator, ICA Boston, states "Kai Althoff's work deals explicitly with powerful feelings. The works often evoke or invent narratives, where characters inhabit imaginary worlds that provide allegories of real human experience and emotion." Althoff draws on a multitude of sources in his art, from Germanic folk traditions to recent popular culture and from medieval and gothic religious imagery to early modern expressionism. 
Kai Althoff, who also founded the band "Workshop", was born in 1966 in Cologne, Germany, where he currently lives and works. He has had solo exhibitions at galleries in Berlin, Cologne, London, New York, Vienna and Hamburg. Althoff has also been featured in numerous international group exhibitions including the 1993 and 2003 Venice Biennales, "Chere Paintre, Leibe Maler, Dear Painter" at the Centre Pompidou in Paris (2002), and "Drawing Now-8 Propositions" at the Museum of Modern Art, New York (2002)

Kai Kein Respekt (Kai no Respect)

Diederichsen, Diedrich

Bonami, Francesco

Karnik, Olaf

Kai Althoff

Bridge House Publishing

The definitive monograph on the work of one of the most prolific, versatile, and exciting artists of the last three decades Over the past 30 years, Swiss-born, New York-based artist Ugo Rondinone has developed a distinct body of work: vibrant paintings, immersive installations, sculptures, and text-based works, all united by a poetic quality and an enduring preoccupation with such universal themes as time and cosmic cycles. Profoundly interested in the contemplation of everyday life, Rondinone reconciles the visual language of psychedelia and advertising with meditative, intimate reflections on personal and collective experiences. This book brings fresh perspective to his remarkable life and career and is a must-have for his huge global following.

Ugo Rondinone (Phaidon Contemporary Artists Series)

Hoptman, Laura

VERHAGEN, Erik

Humor & Entertainment

Phaidon Press

[From] Christo and Jeanne-Claude to Jeff Koons: John Kaldor Art Projects & Collection

Museum of Contemporary Art

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Books by Baume, Nicholas