NY 1966 1st. Oblong 4to., 82pp., color illustrations. Owner signed. Good, light soiling, in soiled, worn DJ.

Constable Oil Sketches

BASKETT, John

Watson-Guptill Publications

The Horse in Art

Arts & Photography

History & Criticism

see notes for publisher info

The horse is an icon of civilization. Man has long depended on the horse in farming, transportation, war, religion, and exploration, and as a consequence we have a wonderfully rich legacy of horses depicted in art. This spectacular book presents the horse in its many roles since its discovery and domestication until the present day. Distinguished author John Baskett begins with the horse in ancient civilizations, including masterpieces from Asia, and then discusses the horse in the Middle Ages, in which the animal was bred for warfare and agriculture and is represented in such scenes as the Bayeaux Tapestry. Renaissance artists, whose interest in horses was as great as that for the human form, are then discussed, evidence of which is shown in the skillful drawings of Leonardo da Vinci. The 17th century brought beautiful examples of naturalism from such masters as Peter Paul Rubens, while George Stubbs became the premier horse painter in 18th-century England. Works by Americans George Catlin and Frederic Remington are also explored, along with exquisite miniatures of natural scenes produced by Persian and Mughal painters from varying periods. A new edition of a long out-of-print gem, The Horse in Art brings artistic representation of the horse to life, with additional illustrations, a new chapter on the 20th century, and the inclusion of biographies of the artists featured in the book. With beautiful color reproductions and an accessible text, this book is a unique and indispensable guide to the changing cultural perspectives, artistic styles, and symbolic interpretations associated with its timeless and much-loved subject.

Themes

Yale University Press

Paul Mellon (1907--1999) was an unparalleled collector of British art. His collection, now at Yale in the museum and study center he founded to house it, rivals those in Britain’s national museums and is unquestionably the most comprehensive representation of British art held outside of the United Kingdom. This book and the exhibition that it accompanies celebrate the centenary of his birth. Five introductory essays examine Mellon’s extraordinary collecting activity, as well as his role in creating both the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art in London as gifts to his alma mater (Yale 1929). A lavishly illustrated catalogue section showcases 148 of the most exquisite and important paintings, watercolors, drawings, prints, sculpture, rare books, and manuscript material in the Yale Center’s collection, including major works by Thomas Gainsborough, Joshua Reynolds, George Stubbs, John Constable, and J. M. W. Turner.

Paul Mellon's Legacy: A Passion for British Art (Yale Center for British Art)

Allen, Brian

Robinson, Duncan

Prown, Jules David

Reese, William S.

The horse is an icon of civilization. Man has long depended on the horse in farming, transportation, war, religion, and exploration, and as a consequence we have a wonderfully rich legacy of horses depicted in art. This spectacular book presents the horse in its many roles since its discovery and domestication until the present day. Distinguished author John Baskett begins with the horse in ancient civilizations, including masterpieces from Asia, and then discusses the horse in the Middle Ages, in which the animal was bred for warfare and agriculture and is represented in such scenes as the Bayeaux Tapestry. Renaissance artists, whose interest in horses was as great as that for the human form, are then discussed, evidence of which is shown in the skillful drawings of Leonardo da Vinci. The 17th century brought beautiful examples of naturalism from such masters as Peter Paul Rubens, while George Stubbs became the premier horse painter in 18th-century England. Works by Americans George Catlin and Frederic Remington are also explored, along with exquisite miniatures of natural scenes produced by Persian and Mughal painters from varying periods. A new edition of a long out-of-print gem, The Horse in Art brings artistic representation of the horse to life, with additional illustrations, a new chapter on the 20th century, and the inclusion of biographies of the artists featured in the book. With beautiful color reproductions and an accessible text, this book is a unique and indispensable guide to the changing cultural perspectives, artistic styles, and symbolic interpretations associated with its timeless and much-loved subject.

The horse in art

[Published for the ] New York Graphic Society, by Little, Brown

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