<p>Clean and clear, the waters of the streams and ponds that feed into Sebago Lake bring a constant supply of newness to a region centuries-deep in tradition. Located in southwestern Maine’s Cumberland County, Sebago, “great stretch of water,” has been a gathering place for generations of native people and settlers. This striking pictorial history quickly transports us to the past. We see the area as it was before the railroad came through; fishermen coming to enjoy the famous landlocked salmon of Sebago, travellers spending the night at farmhouses, and later inns and hostelries. A turn of the page and we find ourselves watching majestic steamboats as they slip through quiet waters. Vistas of summer camps and classic cars abound―fond memories for many.</p>

Sebago Lake Area: Windham, Standish, Raymond, Casco, Sebago, and Naples, The (ME) (Images of America)

Arts & Photography

Barnes, Jack

Barnes, Diane

Photography & Video

Arcadia Publishing

Before her death in 1910, Nettie Cummings Maxim chronicled the people, landscapes, and animals of a typical Maine farm at Bird Hill in Bethel at the turn of the century. In a time before mass media, her world consisted almost entirely of her family and farm. This intimate familiarity with her immediate world and a degree of cultural isolation allowed Nettie to explore and capture on film the details of farm life through the seasons and the innocence and wisdom in the eyes of the children whose lives were so closely entwined with life on a rural Maine hill farm. After one look at her photographs, her innate artistic talent becomes immediately apparent: her use of natural light, the composition of her images, and her eye for detail lend a tremendously beautiful, evocative quality to her images. She turned the long exposures mandated by film at the turn of the century to her advantage, and somehow manages to create the illusion of motion in her photographs. Through her cameras, Nettie recorded the world that was so endearing to her, a world that has gone largely undocumented by photography. In doing so, she has given immortality to the people, buildings, and even the animals that were part of her life and her microcosm of society nearly a century ago, as well as giving us a rare insight into the intricacies of daily life in the nearby communities of Locke's Mills and Greenwood. Allow her to lead you back into life in rural Maine at the turn of the century: it is a journey worth making, and one that you will never forget.

Maine Life at the Turn of the Century: Through the Photographs of Nettie Cummings Maxim (Images of America: Maine)

The Oxford Hills

History

Americas

<p>Maine's Lake Region is uniquely endowed with a network of waterways that determined its history and define its identity. Long before the first roads entered the region, intrepid travelers found their way deep into the heart of this country by following the rivers from the coast. By 1870 the railroad arrived, followed soon after by the colorful steamboat era. Book jacket.</p>

Lake Region Maine (Images of America)

Chalford Pub Corp

Sebago Lake Area, The (Images of America)

Though deeply entrenched in antebellum life, the artisans who lived and worked in Petersburg, Virginia, in the 1800s -- including carpenters, blacksmiths, coach makers, bakers, and other skilled craftsmen -- helped transform their planter-centered agricultural community into one of the most industrialized cities in the Upper South. These mechanics, as the artisans called themselves, successfully lobbied for new railroad lines and other amenities they needed to open their factories and shops, and turned a town whose livelihood once depended almost entirely on tobacco exports into a bustling modern city. In Artisan Workers in the Upper South, L. Diane Barnes closely examines the relationships between Petersburg's skilled white, free black, and slave mechanics and the roles they played in southern Virginia's emerging market economy. Barnes demonstrates that, despite studies that emphasize the backwardness of southern development, modern industry and the institution of slavery proved quite compatible in the Upper South.Petersburg joined the industrialized world in part because of the town's proximity to northern cities and resources, but it succeeded because its citizens capitalized on their uniquely southern resource: slaves. Petersburg artisans realized quickly that owning slaves could increase the profitability of their businesses, and these artisans -- including some free African Americans -- entered the master class when they could. Slave-owning mechanics, both white and black, gained wealth and status in society, and they soon joined an emerging middle class. Not all mechanics could afford slaves, however, and those who could not struggled to survive in the new economy. Forced to work as journeymen and face the unpleasant reality of permanent wage labor, the poorer mechanics often resented their inability to prosper like their fellow artisans. These differing levels of success, Barnes shows, created a sharp class divide that rivaled the racial divide in the artisan community.Unlike their northern counterparts, who united as a political force and organized strikes to effect change, artisans in the Upper South did not rise up in protest against the prevailing social order. Skilled white mechanics championed free manual labor -- a common refrain of northern artisans -- but they carefully limited the term "free" to whites and simultaneously sought alliances with slaveholding planters. Even those artisans who didn't own slaves, Barnes explains, rarely criticized the wealthy planters, who not only employed and traded with artisans, but also controlled both state and local politics. Planters, too, guarded against disparaging free labor too loudly, and their silence, together with that of the mechanics, helped maintain the precariously balanced social structure.Artisan Workers in the Upper South rejects the notion of the antebellum South as a semifeudal planter-centered political economy and provides abundant evidence that some areas of the South embraced industrial capitalism and economic modernity as readily as communities in the North.

Artisan Workers in the Upper South: Petersburg, Virginia, 1820-1865

LSU Press

Waiting for Ethan

Romance

Contemporary

Lyrical Shine

All We Could Still Have: A Novel

Literature & Fiction

Genre Fiction

Lake Union Publishing

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Books by Barnes, Diane