SIX-GUN LAW Westerns of the 1950s: The Classic Years

There are no two ways about it-the 1950s was the decade in which the American Western flourished and attained an absolute peak of perfection. So cowboy, saddle up, strap on your shooters, grab your rifle, and get ready to ride into a hot, dusty and highly dangerous universe populated by not-so-good guys bent on vengeance, cowardly townsfolk, bad hombres, rebellious Native Americans, glamorous dames in distress, evil land-grabbers, corrupt saloon owners, masked raiders, outlaw gangs, rustlers, psychotic villains, bank and stage holdups, train robberies, wagon trains under attack, cattle barons feuding with sheep farmers, ghost towns, gripping gunfights, bruising fistfights, crooked town officials, stand-alone lawmen, gun-toting ladies, cold-hearted killers, stampeding cattle and horses, comical sidekicks, cavalry battles, engaging 10-year-olds as tough as the adults, lone, trigger-happy strangers met with slit-eyed suspicion and towns where trouble lurks on every dusty street corner, all set against America's striking natural scenery and mostly shot with an expertise unknown to a generation of 21st-century moviegoers fed on a never-ending diet of CGI-dominated movies with nary a Stetson or horse in sight. The 1950s was the decade in which Western movies thrived and reigned supreme; this volume hopefully, and conclusively, sets out to prove it. Six-Gun Law 3 covers 446 movies, contains over 450 photos, and is an essential reference for every Western fan.

Humor & Entertainment

Atkinson, Barry`

Movies

Midnight Marquee Press, Inc.

There are no two ways about it-the 1950s was the decade in which the American Western flourished and attained an absolute peak of perfection. So cowboy, saddle up, strap on your shooters, grab your rifle, and get ready to ride into a hot, dusty and highly dangerous universe populated by not-so-good guys bent on vengeance, cowardly townsfolk, bad hombres, rebellious Native Americans, glamorous dames in distress, evil land-grabbers, corrupt saloon owners, masked raiders, outlaw gangs, rustlers, psychotic villains, bank and stage holdups, train robberies, wagon trains under attack, cattle barons feuding with sheep farmers, ghost towns, gripping gunfights, bruising fistfights, crooked town officials, stand-alone lawmen, gun-toting ladies, cold-hearted killers, stampeding cattle and horses, comical sidekicks, cavalry battles, engaging 10-year-olds as tough as the adults, lone, trigger-happy strangers met with slit-eyed suspicion and towns where trouble lurks on every dusty street corner, all set against America's striking natural scenery and mostly shot with an expertise unknown to a generation of 21st-century moviegoers fed on a never-ending diet of CGI-dominated movies with nary a Stetson or horse in sight.The 1950s was the decade in which Western movies thrived and reigned supreme; this volume hopefully, and conclusively, sets out to prove it.Six-Gun Law 3 covers 446 movies, contains over 450 photos, and is an essential reference for every Western fan.

Under Ten Million? Anything's Possible!: Indie Horror, Fantasy, and Sci-Fi Movies The Very Good, the Very Bad and the Very, Very Ugly!

Arts & Photography

Performing Arts

Mining sites in Cornwall: v. 2

Engineering & Transportation

Engineering

Dyllansow Truran

British author Barry Atkinson chronicles his childhood adventures as an underage horror film fanatic, who, along with his best chums, schemed to sneak into X-rated horror films such as Them!, Tarantula, Rodan, Dracula, Atom Age Vampire, and many other horror and sci-fi classics. Boomer horror film fans longing for those filmic glory days of yesteryear won t want to miss this heartfelt tribute.

You're Not Old Enough Son

Midnight Marquee Press

My previous book on the subject of horror, science fiction, and fantasy films, “You’re Not Old Enough Son,” chronicled my journeys through the British fantasy cinema scene during the 1950s and 1960s. These were golden years as I viewed them. Years when fantasy fare spanning the decades 1930 to 1960 (but mostly the 1950s) was served up continuously week after week, month after month, and year after year I realized that an audience in the new decade of the 1970s couldn’t (and wouldn’t) possibly expect to put up good money to sit through a double bill of “Attack of the Crab Monsters” and “The Beast with a Million Eyes,” which only a few years earlier would have drawn a full house on a rainy Sunday afternoon at Leatherhead’s Crescent cinema. Maybe, just maybe, I should join them and stop burying my head in the past, however glorious that past may have been. So I endeavored to put a brave face on things and think more positively—for all one knew, what was around the corner might not be quite as bad as I imagined it to be. These, then, are my continued travels through the fantasy cinema in England from 1971 to 2005. The views on all films mentioned, as in my last book, are entirely my own!

You Are Old Enough Son: Further irreverent recollections of the horror/science fiction/fantasy scene in the British cinema 1971-2005

Welcome to the wonderful world of the independent, cut-price horror, science fiction and fantasy movie. Movies where most of the aliens are, well, for want of a better word, Alien rip-offs; where the leading men and women display all the emotions of cardboard cut-outs; where decent music is more or less non-existent; where direction veers from the truly sublime to the utterly ridiculous; where plots are ruthlessly plagiarized from other, more high-profile productions; where special effects aren’t all that special; where the level of gore has to be seen to be believed; where the hero is good-looking but wooden and the heroine a blonde/brunette bimbo; where the dialogue is stilted and shored up with stock phrases; and where the cheapo ethics immortalized by Edward D. Wood, Jr., Jerry Warren and their ilk are still being kept alive and well by courtesy of Nu Image, Asylum, American World Pictures, North American Pictures, RHI Entertainment, UFO, Castel Film Romania, Cinetel Films, PM Entertainment and a host of other small film companies specializing in low-budget fare. But before we all pronounce sentence, start to sneer, utter hoots of derision and sweep this lot under the carpet, let’s pause for a second and take stock of these fascinatingly guilty delights alongside top-rate (but still classed as independent) movies.

Indie Horrors: The Unmissable, the Acceptible and the Forgettable

British author Barry Atkinson (You’re Not Old Enough Son; Indie Horrors!) plunges us into a cinematic world dominated by the atomic bomb and presents us with a buffet of delights, from the rare to the unusual. Although the classics get a deserved mention, the author concentrates mainly on the neglected lesser titles, many not seen for decades, giving them a much-needed public airing. Readers will indulge in chapters devoted to: Key actors, companies, directors and composers! Comparisons between Japanese monster movies and their Americanized counterparts! Scarce, unseen American, British and foreign horror, sci-fi, fantasy features! Stone Age women of the “B” variety! A couple of out-and-out schlock classics! The Abominable Snowman in the 1950s! A reappraisal of much-maligned, but much-loved, guilty pleasures! Toho’s forgotten monsters! Dr. Jekyll’s evil offspring! British science fiction and noir thrillers of the ’50s! Jungle Jim! Chaney, Karloff and Lugosi in the 1950s! Best entrant in Universal’s Creature trilogy! Does colorization enhance a black-and-white favorite? How do monster special effects rate before CGI? Do Regal International’s widescreen program fillers really add up to that much? Which scenes constitute the decade’s most memorable fantasy moments? Does dialogue matter? What impact did New Age science have on the vampire and werewolf myths of old? All this and much, much more in a fresh evaluation of what most fans and critics now recognize as the pivotal decade for horror, sci-fi and fantasy.

Atomic Age Cinema: The Offbeat, the Classic and the Obscure

The modern Western is so intent on portraying the West as it really was that the end product comes across as a tedious, dimly photographed exercise in grime, gloom and doom. Westerns of the 1940s, 1950s and early 1960s may not have been entirely accurate in their depiction of the Old West, but they moved like wildfire and entertained prewar and postwar audiences by the millions. Sadly, the classic American Western no longer exists—where good guys were good and bad guys were bad. The great Western hero actors of the past have holstered their six-shooters and ridden off into the fading sunset. Author Atkinson looks at the Western career of four of Hollywood’s often overlooked cowpokes: Randolph Scott, Audie Murphy, Joel McCrea and George Montgomery, What these hombres have left behind is a vast body of work that continues to bring pleasure and enjoyment to many, many fans of a certain age, and may even garner a few younger devotees.

Six-Gun Law: The Westerns of Randolph Scott, Audie Murphy, Joel McCrea and George Montgomery

See the best price to sell, buy, or rent books by Atkinson, Barry`. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Atkinson, Barry`

See the best price to sell, buy, or rent books by Atkinson, Barry`. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

SIX-GUN LAW Westerns of the 1950s: The Classic Years

SIX-GUN LAW Westerns of the 1950s: The Classic Years

Under Ten Million? Anything's Possible!: Indie Horror, Fantasy, and Sci-Fi Movies The Very Good, the Very Bad and the Very, Very Ugly!

Under Ten Million? Anything's Possible!: Indie Horror, Fantasy, and Sci-Fi Movies The Very Good, the Very Bad and the Very, Very Ugly!

Mining sites in Cornwall: v. 2

You're Not Old Enough Son

You Are Old Enough Son: Further irreverent recollections of the horror/science fiction/fantasy scene in the British cinema 1971-2005

Indie Horrors: The Unmissable, the Acceptible and the Forgettable

Atomic Age Cinema: The Offbeat, the Classic and the Obscure

Six-Gun Law: The Westerns of Randolph Scott, Audie Murphy, Joel McCrea and George Montgomery