Nanda has it all: youth, money, good looks and a kittenish wife who fulfills his sexual and emotional needs. He also has the Buddha, a dispassionate man of immense insight and self-containment, for an older brother. When Nanda is made a reluctant recruit to the Buddha's order of monks, he is forced to confront his all-too-human enslavement to his erotic and romantic desires. Dating from the second century CE, Ashva·ghosha’s Handsome Nanda portrays its hero’s spiritual makeover with compassion, psychological profundity, and great poetic skill. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org

Handsome Nanda (Clay Sanskrit Library, 39)

Literature & Fiction

Ashvaghosha

Genre Fiction

Clay Sanskrit

The Buddhist monk Ashva·ghosha composed Life of the Buddha in the first or second century CE probably in Ayódhya. This is the earliest surviving text of the Sanskrit literary genre called kavya and probably provided models for Kali·dasa's more famous works. The most poignant scenes on the path to his Awakening are when the young prince Siddhártha, the future Buddha, is confronted by the reality of sickness, old age, and death, while seduced by the charms of the women employed to keep him at home. A poet of the highest order, Ashva·ghosha's aim is not entertainment but instruction, presenting the Buddha's teaching as the culmination of the Brahmanical tradition. His wonderful descriptions of the bodies of courtesans are ultimately meant to show the transience of beauty. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org

Life of the Buddha (Clay Sanskrit Library, 10)

Biographies & Memoirs

The Buddha-Carita, or The Life of Buddha by Aśvaghoṣa edited and translated by Edward B. Cowell The Sanskrit text of the Buddha-carita was published at the beginning of last year [i.e 1893] in the ‘Anecdota Oxoniensia,’ and the following English translation is now included in the series ‘Sacred Books of the East.’ It is an early Sanskrit poem written in India on the legendary history of Buddha, and therefore contains much that is of interest for the history of Buddhism, besides its special importance as illustarating the early history of classical Sanskrit literature. It is ascribed to Aśvaghoṣa; and although there were several writers who bore that name, it seems most probable that our author was the contemparary and spiritual advisor of Kaniṣka in the first century of our era. Hiouen Thsang, who left India in A. D. 645, mentions him with Deva, Nāgārjuna, and Kumāralabdha, ‘as the four suns which illumine the world;’1 but our fullest account is given by I-tsing, who visited India in 673. He states that Aśvaghoṣa was an ancient author who composed the Alaṅkāra-śāstra and the Buddha-carita-kāvya, — the latter work being of course the present poem. Besides these two works he also composed the hymns in honour of Buddha and the three holy beings Amitābha, Avalokiteśvara, and Mahāsthāma, which were chanted at the evening service of the monasteries. ‘In the five countries of India and in the countries of the Southern ocean they recite these poems, because they express a store of ideas and meaning in a few words.’2 A solitary stanza (VIII, 13) is quoted from the Buddha-carita in Rāyamukuṭa’s commentary on the Amarakoṣa I, i. 1, 2, and also by Ujjvaladatta in his commentary on the Uṇādi-sūtras I, 156; and five stanzas are quoted as from Aśvaghoṣa in Vallabhadeva’s Subhāṣitāvali, which bear a great resemblance to his style, though they are not found in the extant portion of this poem.

The Buddhacarita: or The Life of Buddha

Religion & Spirituality

Cowell, Edward Byles

Buddhism

Independently published

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