An Anthology of stories by Arthur Machen, a study in evil

TALES OF HORROR AND THE SUPERNATURAL. Volume Two

Literature & Fiction

Arthur, Machen

Genre Fiction

Pinnacle Books

Christopher Lee's New Chamber of Horrors

Mary Wollstonecraft Shelley

Sax Rohmer

E.F. BENSON

Lord, Dunsany

M.R.James

Bram, Stoker

Robert, Bloch

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Short Stories & Anthologies

Mayflower Books Limited

Strange Ecstasies

Fritz LEIBER

Norman Spinrad

Clark Ashton Smith

Chris Miller

Richard Wilson

Frank Belknap Long

H.G.Wells

frederik-pohl

Michael Parry (ed)

F.H. Davis

Panther

Best Horror Stories

Villiers de L'Isle-Adam

Patricia, Highsmith

Hilaire, Belloc

Edgar-Allan-Poe

Joseph, Conrad

Thomas, Hardy

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Honoré de, Balzac

William, Faulkner

Ernest, Hemingway

Thomas Burke

J. Kaden-Bandrowski

A.E. Coppard

The Hamlyn Publishing Group Limited

The house of souls

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

History

BiblioLife

<p>As outspoken in his day as Richard Dawkins or Christopher Hitchens are today, American freethinker and author ROBERT GREEN INGERSOLL (1833-1899) was a notorious radical whose uncompromising views on religion and slavery (they were bad, in his opinion), women's suffrage (a good idea, he believed), and other contentious matters of his era made him a wildly popular orator and critic of 19th-century American culture and public life. As a speaker dedicated to expanding intellectual horizons and celebrating the value of skepticism, Ingersoll spoke frequently on such topics as atheism, freedom from the pressures of conformity, and the lives of philosophers who espoused such concepts. This collection of his most famous speeches includes the lectures: [ "The Gods" (1872) [ "Humboldt" (1869) [ "Thomas Paine" (1870) [ "Individuality" (1873) [ "Heretics and Heresies" (1874)</p>

The Great God Pan: And the Inmost Light (Classic Reprint)

Mystery, Thriller & Suspense

Thrillers & Suspense

Forgotten Books

"The Great God Pan" is a novella written by Arthur Machen. A version of the story was published in the magazine The Whirlwind in 1890, and Machen revised and extended it for its book publication (together with another story, "The Inmost Light") in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. Machen’s story was only one of many at the time to focus on Pan as a useful symbol for the power of nature and paganism. The title was possibly inspired by the poem "A Musical Instrument" published in 1862 by Elizabeth Barrett Browning, in which the first line of every stanza ends "... the great god Pan." Synopsis Dr. Raymond's ultimate goal is to devise a way to open the mind of man so that he may experience all the world has to offer. He calls this, "seeing the great god Pan." After much study of the human mind he devises an experiment which involves minor brain surgery. He performs this experiment on a young woman named Mary, but when she awakes she is terrified and mentally crippled. Years later, the beautiful but sinister-looking Helen Vaughan is reported to have caused a series of mysterious happenings in a small nameless town. She spends all her days in the woods, scares a boy so much he is hospitalized, and leads to the rape of her best friend Rachel. Helen then moves to the London social scene and marries a man named Herbert. Years later Herbert is found by his former friend Villiers to be a beggar and vagrant. When asked how he has fallen so low, Herbert replies that he has been "corrupted body and soul" by his wife. Helen disappears for some time, supposedly taking part in disturbing orgies somewhere in the Americas. When she returns as Mrs. Beaumont she is followed by a series of suicides. Villiers discovers that she is in fact Helen and goes to confront her. He persuades her to hang herself and she has a very abnormal death, transforming between human and beast before finally dying. Ultimately, it is discovered that Helen is the child of Mary and Pan, who was let in when Raymond opened her mind up to him. Critical opinion In "Supernatural Horror in Literature" (1926; revised 1933), H. P. Lovecraft praised the story, saying: "No one could begin to describe the cumulative suspense and ultimate horror with which every paragraph abounds"; he added that "the sensitive reader" reaches the end with "an appreciative shudder." Lovecraft also noted, however, that "melodrama is undeniably present, and coincidence is stretched to a length which appears absurd upon analysis." Bennett Cerf described the story as a "masterpiece". The Encyclopedia of Science Fiction (1993) notes "The story begins with an sf rationale (brain surgery) which remains one of the most dramatically horrible and misogynistic in fiction." Influence The story's depiction of a monstrous half-human hybrid inspired the plot of Lovecraft’s "The Dunwich Horror", which refers by name to Machen’s story. According to Lovecraft scholar Robert M. Price, "The Dunwich Horror is in every sense an homage to Machen and even a pastiche. There is little in Lovecraft's wonderful story that does not come directly out of Machen's fiction." It also inspired Peter Straub's Ghost Story. Stephen King wrote in the endnotes for his story collection Just After Sunset (2008) that his newly published novella N. was "strongly influenced" by Machen's piece, which he noted, "surmounts its rather clumsy prose and works its way relentlessly into the reader's terror-zone. How many sleepless nights has it caused? God knows, but a few of them were mine. I think 'Pan' is as close as the horror genre comes to a great white whale." In another interview he stated: "Not Lovecraft; it’s a riff on Arthur Machen’s The Great God Pan, which is one of the best horror stories ever written. Maybe the best in the English language.

The Great God Pan

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"I am glad you came, Clarke; very glad indeed. I was not sure you could spare the time." "I was able to make arrangements for a few days; things are not very lively just now. But have you no misgivings, Raymond? Is it absolutely safe?" The two men were slowly pacing the terrace in front of Dr. Raymond's house. The sun still hung above the western mountain-line, but it shone with a dull red glow that cast no shadows, and all the air was quiet; a sweet breath came from the great wood on the hillside above, and with it, at intervals, the soft murmuring call of the wild doves. Below, in the long lovely valley, the river wound in and out between the lonely hills, and, as the sun hovered and vanished into the west, a faint mist, pure white, began to rise from the hills. Dr. Raymond turned sharply to his friend.

Great God Pan

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The White People

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