Addressing the transnational relationships of Freemasonry, politics, and culture in the field of Latin American and Caribbean literatures and cultures, Writing Secrecy provides insight into Pan-Caribbean, transnational and diasporic formations of these Masonic lodges and their influences on political and cultural discourses in the Americas.

Writing Secrecy in Caribbean Freemasonry (New Directions in Latino American Cultures)

Literature & Fiction

Arroyo, Jossianna

History & Criticism

PALGRAVE~MACMILLAN

Travestismos culturales: literatura y etnografía en Cuba y Brasil (Serie Nuevo Siglo)

Instituto Internacional de Literatura Iberoamericana

In Caribes 2.0, author Jossianna Arroyo looks at the Caribbean mediasphere in the twenty-first century. Arroyo argues that we have seen a return to tropes such as blackface, brownface, cultural and ethnic stereotypes, and violent representations of the poor, the marginalized, and the racialized. Caribes 2.0 looks at these tropes as well as the work of writers, vloggers, performers, and photographers that have become media figures or have used new media platforms to promote their work and examines how they are challenging and negotiating these media representations. It analyzes contemporary Caribbean cultures to discuss, taste, guides, and actions (social and virtual) that shape Caribbean global communities today. Departing from Edouard Glissant’s insight that “Caribbean reality might not be accessed by remote control” the book considers what types of political and social agencies are created by mediation. Caribes 2.0 deviates from these historical-globalized views of subjected, colonized Caribbean bodies, and their material conditions, to examine the relationship between the local and the global in contemporary Caribbean cultures, and the role that media is playing in the invisibility or hyper-visibilty of Caribbean cultures in the islands and the U.S. diaspora.

Caribes 2.0: New Media, Globalization, and the Afterlives of Disaster (Global Media and Race)

History

Americas

Rutgers University Press

Los modelos de democracia racial en Cuba y Brasil parten de un consenso cultural compartido por las ciencias sociales, el arte y la literatura. Travestismos culturales analiza cr&#65533;ticamente estos modelos de consenso nacionalista y cultural, que se consolidan en las vanguardias latinoamericanas. a fin de evaluar la intersecci&#65533;n entre raza, g&#65533;nero y sexualidad en la obra de Fernando Ortiz (Cuba), Gilberto Freyre (Brasil) y varias novelas y ensayos desde 1840-1930. En el travestismo cultural los cuerpos negros son el objeto del deseo, pero todav&#65533;a se contienen desde la otredad de la ley social, literaria y textual. Jossianna Arroyo es profesora de cr&#65533;tica literaria latinoamericana, caribe&#65533;a y de la di&#65533;spora africana en la Universidad de Texas, Austin. Adem&#65533;s de Travestismos culturales (2003), que aparece aqu&#65533; en su segunda edici&#65533;n, ha publicado Writing Secrecy in Caribbean Freemasonry (2013) y coeditado, junto a Elizabeth Marchant, Comparative Perspectives on the Black Atlantic (2012) y, junto a Lawrence La Fountain y varios autores, el volumen Puerto Rican Queer Sexualities para el CENTRO Journal (2007). Su pr&#65533;ximo libro se titula Caribbeans 2.0: Media, Culture, Politics.

Travestismos culturales. Literatura y etnografía en Cuba y el Brasil

Almenara

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Books by Arroyo, Jossianna