Gathers letters from the twenty-five year correspondence of the two composers, student and teacher, and provides background information on their lives and careers

The Berg-Schoenberg Correspondence: Selected Letters (English and German Edition)

ARNOLD SCHOENBERG

ALBAN BERG

Biographies & Memoirs

W.W. Norton & Co., Inc.

Pianists at intermediate and advanced levels will applaud this fine compilation of works by a trio of the century's most significant composers. Contents include Stravinsky's 3 Movements from Petrushka, Rag Time, Piano-Rag-Music, and The 5 Fingers: 8 Very Easy Melodies on 5 Notes; Schoenberg's Symphony, Op. 9, 3 Piano Pieces, Op. 11, and 6 Little Piano Pieces, Op. 19; and Hindemith's 1922: Suite for Piano, Op. 26. Reprinted from authoritative editions.

Twentieth-Century Piano Classics: Eight Works by Stravinsky, Schoenberg and Hindemith (Dover Music for Piano)

Arts & Photography

PAUL HINDEMITH

IGOR STRAVINSKY

Music

Dover Publications

Theory of Harmony

Hardcover with dust jacket. DJ has moderate wear. Book itself is clean and unmarked with a tight binding.

Theory of harmony

University of California Press

Fundamentals of Musical Composition

Faber and Faber

A reissue of a classic that represents the culmination of over 40 years in Schoenberg's life devoted to the teaching of musical principles to students and composers in Europe and America. For his classes, he developed a manner of presentation in which "every technical matter is discussed in a very fundamental way, so that at the same time it is both simple and thorough". This book can be used for analysis as well as for composition. On the one hand, it has the practical objective of introducing students to the process of composing in a systematic way, from the smallest to the largest forms; on the other hand, the author analyzes in detail, with numerous illustrations, those particular sections in the works of the masters which relate to the compositional problem under discussion.

One of the most influential collections of music ever published, Style and Idea includes Schoenberg's writings about himself and his music as well as studies of many other composers and reflections on art and society.

Style and Idea: Selected Writings of Arnold Schoenberg (English and German Edition)

Faber&Faber

Literature & Fiction

Structural Functions of Harmony

This book is full of essays which Arnold Schoenberg wrote on style and idea. He talks about the relationship to the text, new and outmoded music, composition in twelve tones, entertaining through composing, the relationship of heart and mind in music, evaluation of music, and other essays. Arnold Schoenberg (13 September 1874 13 July 1951) was an Austrian and later American composer, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. He used the spelling Sch nberg until after his move to the United States in 1934 (Steinberg 1995, 463), "in deference to American practice" (Foss 1951, 401), though one writer claims he made the change a year earlier (Ross 2007, 45). Schoenberg was known early in his career for successfully extending the traditionally opposed German Romantic traditions of both Brahms and Wagner, and later and more notably for his pioneering innovations in atonality. During the rise of the Nazi party in Austria, his music was labeled, alongside swing and jazz, as degenerate art. In the 1920s, he developed the twelve-tone technique, a widely influential compositional method of manipulating an ordered series of all twelve notes in the chromatic scale. He also coined the term developing variation, and was the first modern composer to embrace ways of developing motifs without resorting to the dominance of a centralized melodic idea. Schoenberg's approach, both in terms of harmony and development, is among the major landmarks of 20th century musical thought; at least three generations of composers in the European and American traditions have consciously extended his thinking and, in some cases, passionately reacted against it. Schoenberg was also a painter, an important music theorist, and an influential teacher of composition; his students included Alban Berg, Anton Webern, Hanns Eisler, and later John Cage, Lou Harrison, Earl Kim, Wayne Barlow, and many other prominent musicians. Many of Schoenberg's practices, including the formalization of compositional method, and his habit of openly inviting audiences to think analytically, are echoed in avant-garde musical thought throughout the 20th century. His often polemical views of music history and aesthetics were crucial to many of the 20th century's significant musicologists and critics, including Theodor Adorno, Charles Rosen, and Carl Dahlhaus. Schoenberg's archival legacy is collected at the Arnold Sch nberg Center in Vienna.

Style and Idea

Faber and Faber Ltd.

This text contains Arnold Schoenberg's thoughts on classical and romantic harmony. It presents a resume of the principles of the "Theory of Harmony", then demonstrates the concept of "monotonality". The music examples range from the entire development sections of classical symphonies. Ninety integrated music examples range fromthe entire development sections of classical symphonies to analyses of the harmonic progressions of Strauss, Debussy, Reger and his own early music.

Faber & Faber Academic

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Books by ARNOLD SCHOENBERG

See the best price to sell, buy, or rent books by ARNOLD SCHOENBERG. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Berg-Schoenberg Correspondence: Selected Letters (English and German Edition)

Twentieth-Century Piano Classics: Eight Works by Stravinsky, Schoenberg and Hindemith (Dover Music for Piano)

Theory of harmony

Fundamentals of Musical Composition

Fundamentals of Musical Composition

Style and Idea: Selected Writings of Arnold Schoenberg (English and German Edition)

Theory of harmony

Structural Functions of Harmony

Style and Idea

Structural Functions of Harmony