Manet, a founding father of modernism, is one of the towering figures of nineteenth-century art. In this absorbing book, Carol Armstrong looks closely at Manet's works to uncover a novel and compelling view not only of the artist but also of modernity itself. As she places his art within frameworks of color, the feminine Other (the "Manette" in "Manet"), and consumerism, Armstrong greatly expands and revises our understanding of this artist as a painter of modern life. 
Surveying most of Manet's diverse output, the book addresses along the way his methods of self-presentation, his exhibition strategies, the relation of his etchings and paintings, the significance of his relationships with the model Victorine Meurent and the painter Berthe Morisot, the painterly construction of identity and gender difference, and much more. At the same time, the book considers contemporary writings by Baudelaire, Zola, the Goncourts, and others who dealt with issues relating to artistic identity and modernity, painting, the model, and femininity. Armstrong concludes that Manet's work demonstrates consistent preoccupations with defining and contradicting his own signature style of painting and with the gendering of costume, color, and the making of his art. These preoccupations, she shows, suggest a new understanding of Manet's oeuvre.

Manet Manette

Arts & Photography

Armstrong, Carol

History & Criticism

Yale University Press

A transformative study, freeing the artist from outdated art historical narratives and revealing his work as newly strange again Cézanne’s Gravity is an ambitious reassessment of the paintings of Paul Cézanne (1839–1906). Whereas previous studies have often looked at the artist’s work for its influence on his successors and on the development of abstraction, Carol Armstrong untethers it from this timeline, examining Cézanne’s painting as a phenomenological and intellectual endeavor. Armstrong uses an interdisciplinary approach to analyze Cézanne’s work, pairing the painter with artists and thinkers who came after him, including Roger Fry, Virginia Woolf, Albert Einstein, Maurice Merleau-Ponty, Rainer Maria Rilke, R. D. Laing, and Helen Frankenthaler. Through these pairings, Armstrong addresses diverse subjects that illuminate Cézanne’s painting, from the nonlinear narratives of modernist literature and the ways in which space and time act on objects, to color sensation and the schizophrenic mind. Cézanne’s Gravity attends to both the physicality of the artist’s works and the weight they bear on the history of art. This distinctive study not only invites its readers to view Cézanne’s paintings with fresh eyes but also offers a new methodology for art historical inquiry outside linear narratives, one truly fitting for our time.

Cézanne's Gravity

Biographies & Memoirs

In 1995 the Getty Museum acquired a sketchbook by the prolific artist Edgar Degas (1834-1917). Its images, dating from approximately 1877, embrace a variety of themes from everyday Parisian life the café, concert, brothels, and ballet and were created during Degas's weekly visits to the home of writer Ludovic Halévy, the first owner of the sketchbook. They show Degas's remarkable powers of observation, as well as the sureness and economy of his line. Reproduced here are twenty-eight pages from the sketchbook, along with a brilliant essay that places Degas within the contexts of both the cultivated salon of the Halévy family and the larger world of late-nineteenth-century Paris, which the notoriously difficult artist both celebrated and shunned. In addition, the book features a transcript of a lively conversation about the sketchbook among artist David Hockney, Getty Museum director John Walsh, and Lee Hendrix, curator of drawings for the Getty Museum.

A Degas Sketchbook

J.paul Getty Museum

In the last years of his life, Paul Cezanne produced a series of watercolors, many of them still lifes. Still Life with Blue Pot is one of these late masterpieces that is now in the collection of the Getty Museum. In Cezanne in the Studio: Still Life in Watercolors, Carol Armstrong places this great painting within the context of Cezanne's artistic and psychological development and of the history of the genre of still life in France.

Cezanne in the Studio: Still Life in Watercolors

Oxford University Press

Important Note about PRINT ON DEMAND Editions: You are purchasing a print on demand edition of this book. This book is printed individually on uncoated (non-glossy) paper with the best quality printers available. The printing quality of this copy will vary from the original offset printing edition and may look more saturated. The information presented in this version is the same as the latest edition. Any pattern pullouts have been separated and presented as single pages. If the pullout patterns are missing, please contact c&amp;t publishing.

Wildflowers: Designs for Appliqué & Quilting

Crafts, Hobbies & Home

Crafts & Hobbies

C&T Publishing

Wild Birds: Designs for Applique & Quilting

Butterflies & Blooms

Carol Armstrong presents a fresh look at quiltmaking! Use quilting lines, rather than pieced blocks, to define familiar patterns such as Bow Tie and Grandmother's Fan, then add stitchery or other embellishments. Choose your favorite pattern and let's get started! 16 irresistible quilt projects, complete with applique designs and quilting patterns; Embellish with your choice of hand applique, silk ribbon embroidery, redwork, paint, stencils, stamps, and more - whatever strikes your fancy; Carol's technique is easy to learn and fun to do. Watch out - it may just be addictive!

Quilting with Carol Armstrong: 30 Quilting Patterns, Applique Designs, 16 Projects

UNKNO

Cats in Quilts. 14 Purrfect Projects

Painting

Applique Inside the Lines

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Books by Armstrong, Carol