<p>Artwork by Janine Antoni, Matthew Barney, Robert Gober, Ann Hamilton, William Kentridge, Shirin Neshat, Fred Wilson. Edited by Lynn Herbert. Contributions by Rick Lowe, Dana Friis-Hansen. Text by Paola Morsiani, Marti Mayo.</p>

Outbound: Passages From The 90'S

Arts & Photography

WILSON, FRED

Gober, Robert

Mayo, Marti

Morsiani, Paola

Neshat, Shirin

Kentridge, William

Hamilton, Ann

BARNEY, Matthew

Antoni, Janine

Collections, Catalogs & Exhibitions

Contemporary Arts Museum, Houston

Antennae #60 Earthly Surfacing

Woods-Morrow, Derrick

Antennaeproject

On the occasion of her receipt of the Larry Aldrich Foundation Award, Janine Antoni presents a new series of work focusing on the cow as subject and its metaphorical relationship to the mother. This book accompanies her exhibition of this series at The Aldrich Museum of Contemporary Art, the first U.S. venue for this work. The new works are illustrated along with a group of related earlier pieces, and the three texts that run throughout the book are a Bahaman folk tale, the litany of Virgin Mary, and a prodigious list of products that are made from cattle by-products. Also included is a handmade silkscreen using the same milk paint used on the gallery walls during her exhibition.

Girl Made of Butter, The

Individual Artists

The Aldrich Museum of Contemporary Art

Art at the Edge of the Law examines the fine line that artists have often trod between the legal and the legally ambiguous. Frequently the transgression is conceptual rather than directly confrontational, as in Richard Prince's copyright infringements or Gregory Green's pirate station, though no less powerful for that (Barton Lidice Benes's assemblages involving his own HIV-infected blood, for example). Among the artists included are Janine Antoni, Gregory Green, Dennis Oppenheim, Richard Prince, Tom Sachs, Fred Tomaselli and Tom Friedman.

Art At The Edge Of The Law

Green, Gregory

Thompson, Michael

Oppenheim, Dennis

Klein, Richard

Friedman, Tom

Lombardi, Mark

Tomaselli, Fred

Sachs, Tom

PRINCE, Richard

Russ, Lawrence

Boggs, JSG

de Luna, Michael

Hatfield, Jeffrey

Kerbel, Janice

Tourlentes, Stephen

<p>su-per-no-va: n., pl. A rare celestial phenomenon involving the explosion of most of the material in a star, resulting in an extremely bright, short-lived object that emits vast amounts of energy. Given the massive shift in the West's cultural sensibility in the wake of the 9/11 attacks and the current global political situation, the 1990s and its over-the-top, anything-goes art scene suddenly appear much more historical than contemporary. If we really are at the turning point that we seem to be, then we've arrived at a particularly opportune moment for reconsideration, for assessing the legacy of the decade after the frenzy has subsided. Supernova brings together a number of curators and critics--each of whom was actively involved in constructing the 1990s art discourse--to step back and consider what trans-identity, broad-based thematic trends can now be identified as emblematic of, or seminal to, the decade. The Kent and Vicki Logan collection of contemporary art offers a compelling and visually alluring vehicle to consider such issues, as these ambitious collectors were firmly planted at the center of the scene--acquiring some of the most challenging and iconic art of the period, including works by Young British Artists (YBAs), Asian practitioners and a diverse array of influential women artmakers. In Supernova, reproductions of these artists' works are dispersed among contributors' essays, which explore such themes as beauty and the abject, iconoclasm and the role of social activism in art.</p>

Supernova: Art of the 1990s From the Logan Collection

Benezra, Neal

HIRST, Damien

Murakami, Takashi

Gonzalez-Torres, Felix

Siegel, Katy

Zhang, Huan

Currin, John

Yuskavage, Lisa

Fritsch, Katharina

Grynzstejn, Madeleine

History & Criticism

D.A.P./San Francisco Museum of Modern Art

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Books by Antoni, Janine