(Paintings) 13.25 x 11.5", hardcover, dust jacket, 472 pages. An exquisite look at the Italian city of Siena which from the late Middle Ages into the seventeenth century was a thriving center of trade, learning, and fine art. 350 illustrations, including 200 plates in full color. Near Fine/Near Fine.

Sienese Painting: From Duccio to the Birth of the Baroque

Arts & Photography

Angelini, Alessandro

Chelazzi Dini, Giulietta

Sani, Bernardina

History & Criticism

Harry N.Abrams, Inc.

Piero Della Francesca (The Great Masters of Art)

Politics & Social Sciences

Politics & Government

Scala

A beautifully illustrated and unprecedented examination of art from Renaissance Siena Siena flourished as a major artistic center during the Italian Renaissance, fuelled by the patronage of powerful and wealthy families, and the results were remarkable for their virtuoso beauty and strong sense of civic identity. This is the first major book in English to showcase a breathtaking and diverse range of masterpieces and discuss in depth how art was shaped and sustained to provide a unique artistic language for Siena––prior to the city’s possession in 1557 by Cosimo de Medici of Florence, its cultural and political rival. Renaissance Siena presents paintings, drawings, and sculptures by Francesco di Giorgio and Domenico Beccafumi, two of the greatest Sienese artists of the period, along with Matteo di Giovanni, Benvenuto di Giovanni, and visiting artists such as Luca Signorelli and Pintoricchio. These artists combined exquisite color, decoration, sinuous line, and delicate beauty with ambitious compositions and figurative styles to establish one of the most distinctive and elegant schools of Italian art. With a chronology and artists’ biographies, this comprehensive book features essays by leading scholars that discuss all aspects of Sienese art––including issues of patronage, the role of politics and foreign artists in influencing style and production, and public versus private spaces.

Renaissance Siena: Art for a City

Syson, Luke

Plazzotta, Carol

Nevola, Fabrizio

Jackson, Philippa

National Gallery London

Piero della Francesca was born in Borgo San Sepolcro, in a family of artisans and merchants, probably sometime between 1415 and 1420. Piero was in Florence around 1439, and his stay there became fundamental to his development, with his career as a painter beginning by Piero working with Domenico Veneziano on the frescoes in the choir of the church of Sant' Egidio. One of the most important aspects of Piero's work is his combination of the Florentine-based perspective-based art with the Netherlandish concentration on the study of light and natural phenomena. Piero della Francesca examines the life and works of Piero, from his formative years in Florence, to the Fresco Cycle in the Church of San Francesco in Arezzo, to his later works and the development of Linear Perspective in Italian Painting.

Piero Della Francesca (The Library of Great Masters)

Riverside Book Company

Piero della Francesca

Actes-sud

24 Ore Cultura

A fascinating chronological survey of seventeenth-century Roman sculpture featuring masters such as Bernini alongside lesser-known important figures, with sixty-four colour plates, chronology and annotated bibliography.

Baroque Sculpture in Rome: Art Gallery Series (Gallery of the Arts, 5)

Humor & Entertainment

5 Continents Editions Srl

Piero della Francesca. Ediz. inglese

Scala Group

Piero della Francesca. [German Ed.].

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