The Liberal Catholic Movement in England: The "Rambler" and Its Contributors, 1848-1664

Altholz, Josef L.

Religion & Spirituality

Burns & Oates

Religion played a very special role in the life of nineteenth-century Britain. This period saw the last great revival of religion, which shaped the pattern of attitudes and behavior we now call Victorian. The religious periodical press was the preeminent medium of communication on all subjects in the nineteenth century and is the best primary source for the study of religion. In this first systematic and comprehensive treatment of nineteenth-century British religious journalism, the more important or representative periodicals are identified and assigned to their respective denominations or movements.
The Religious Press in Britain begins with a general introduction to the religious press and an overview of its development from the eighteenth to the twentieth century. The press is studied in detail in narrative form under the headings of denominations or religious tendencies. Chapters focus on general movements (for example, temperance) or specialties (for example, children's periodicals). There is a brief general conclusion. Of particular importance is an index of the religious periodicals mentioned in the work, cross-referenced to movements and dates. This in-depth study is a valuable resource for the study of modern British history, religious history, and Victorian literature.

The Religious Press in Britain, 1760-1900 (Contributions to the Study of Religion)

Business & Money

Praeger

Selected Documents in Irish History

The first collection of readings designed to supplement Irish History courses, this book includes 42 religious documents, historical statutes, acts of Parliament, speeches, proclamations, poems, and other selections fundamental to understanding Ireland's rich history.

History

Americas

Routledge

The Mind and Art of Victorian England was first published in 1976. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In a series of ten essays and a generous selection of illustrations, many in color, this volume depicts and assesses the mind and art of Victorian England. Multidisciplinary in approach, the essays deal with a variety of aspects in the history of the Victorian age.
Professor Altholz, the volume editor, writes: "It was an age not of revolution but of reform; political reform which admitted first the middle and then the working classes to the dominant share of the suffrage; economic and social reforms which proclaimed the triumph of laissez-faire while laying the foundations of the welfare state; moral reforms attempted if not achieved through education and religious revival; aesthetic reforms proposed if not achieved and, even in their failure, adding to the richness and diversity of Victorian England. It was an age whose problems cried out for reform; and, despite the prevailing complacency, virtually all the great Victorians were critics of their age. Their criticisms were diverse and often mutually incompatible, with each other -- and their public -- but they shared a high seriousness which gave character and substance to the flowering of their culture. Such was the Victorian age: the high-water mark of English history, the maturation of British culture, and the seedbed of our problems and our discontents."
The illustrations include color reproductions of some of the works discussed by Melvin Waldfogel in his essay "Narrative Painting," and a selection of architectural engravings and photographs.

The Mind and Art of Victorian England

Arts & Photography

Univ of Minnesota Pr

The Mind and Art of Victorian England  was first published in 1976. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.In a series of ten essays and a generous selection of illustrations, many in color, this volume depicts and assesses the mind and art of Victorian England. Multidisciplinary in approach, the essays deal with a variety of aspects in the history of the Victorian age.Professor Altholz, the volume editor, writes: "It was an age not of revolution but of reform; political reform which admitted first the middle and then the working classes to the dominant share of the suffrage; economic and social reforms which proclaimed the triumph of laissez-faire while laying the foundations of the welfare state; moral reforms attempted if not achieved through education and religious revival; aesthetic reforms proposed if not achieved and, even in their failure, adding to the richness and diversity of Victorian England. It was an age whose problems cried out for reform; and, despite the prevailing complacency, virtually all the great Victorians were critics of their age. Their criticisms were diverse and often mutually incompatible, with each other -- and their public -- but they shared a high seriousness which gave character and substance to the flowering of their culture. Such was the Victorian age: the high-water mark of English history, the maturation of British culture, and the seedbed of our problems and our discontents."The illustrations include color reproductions of some of the works discussed by Melvin Waldfogel in his essay "Narrative Painting," and a selection of architectural engravings and photographs.

Europe

University of Minnesota Press

Controversy, especially religious controversy, was the great spectator sport of Victorian England. This work is a study of the biggest and best of Victorian religious controversies. Essays and Reviews (1860) was a composite volume of seven authors (six of them Anglican clergymen) which brought England its first serious exposure to biblical criticism. It evoked a controversy lasting four years, including articles in newspapers, magazines and reviews, clerical and episcopal censures, a torrent of tracts, pamphlets and sermons, followed by weightier tomes (and reviews of all these), prosecution for heresy in the ecclesiastical courts, appeal to the highest secular court, condemnation by the Convocation of the clergy and a debate in Parliament. Essays and Reviews was the culmination and final act of the Broad Church movement. Outwardly the conflict ended inconclusively; at a deeper level, it marked the exhaustion both of the Broad Church and of Anglican orthodoxy and the commencement of an era of religious doubt. This controversy illustrates the pathology of Victorian religion in its demonstration of the propensity to controvert and the methods of controversialists. It is both the greatest Victorian crisis of faith and the best case study of Victorian religious controversy.

Anatomy of a Controversy: The Debate over 'Essays and Reviews' 1860–64 (The Nineteenth Century Series)

World

Anatomy of a Controversy (The Nineteenth Century Series)

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