Drawing on the long history of Islamic arts in sub-Saharan Africa, A Saint in the City investigates in depth the vibrant and sophisticated arts of urban Senegal. Underscoring the interconnectedness of art and life, it insightfully penetrates the visual culture of the Mouride Way, a Sufi movement steeped in the mystical teachings of Sheikh Amadou Bamba (1853–1927). It focuses in particular on the ways in which sacred images "work" for people as powerful acts of devotion and prayer. The remarkable proliferation of arts in the city of Dakar, from bold street murals to virtuosic calligraphy and intricate, colorful glass paintings, attests to the transformative potency of images in Mouridism. This way of life, grounded in the dignity and sanctity of work as conveyed by the teachings of Amadou Bamba, is observed by over four million Senegalese--half the Muslim population in this small country--as well as by thousands more around the globe. 
A Saint in the City brings together a range of artists--regardless of background, training, rootedness in the "traditional" medium, or style--who share a belief in the Mouride Way. The book boldly transgresses the boundaries normally enforced between the local and the global, fine art and popular art, the gallery and the street, the historical and the contemporary.

A Saint in the City: Sufi Arts of Urban Senegal

Arts & Photography

Allen F. Roberts

Mary Nooter Roberts

Gassia Armenian

Ousmane Gueye

Religious

Univ of California Museum of

Devoted to the study and discussion of traditional, contemporary, and popular African arts and expressive cultures.

African Arts Winter 2004

Marla C Berns

Steven Nelson

Doran H Ross

Coleman Center UCLA / MIT Press Journals

This image-filled book features outstanding works of Luba art from the Democratic Republic of Congo. Major themes to be addressed include the role of visual and performance arts in Luba traditional politics; the symbolism of the female image and why 'the king is a woman' for Luba; the instrumentality of royal insignia in politics, problem-solving, and healing; and the use of art objects in the creation and transmission of historical knowledge in both the Luba heartland and its peripheries. Case studies from the authors' long research among Luba, Tabwa, and related peoples of the Congo will illuminate the complex philosophical underpinnings of Luba thought and visual expression.

Luba: Visions of Africa

Mary Roberts

History & Criticism

5 Continents Editions Srl

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Books by Allen F. Roberts