The Quick Brown Fox Jumps Over the Lazy Dog

Allan Schwartzman

James Trainor

Howard Rachofsky

The Rachofsky House

Rachofsky House

373 pages. Hardcover exhibition catalogue, bound in cloth covered boards and wrapped in an illustrated paper dustjacket. Texts in English. Lavishly illustrated. Published on the occasion of the exhibition held from February 2-November 30, 2015.

Geometries on and off the grid : Art from 1950 to the present

The Warehouse

Provides color plates of Bourgeois' sculptures and installations, essays, an interview, critical analysis, and Louise Bourgeois' writings on her art.

Louise Bourgeois

Arts & Photography

Paulo Herkenhoff

Robert. Storr

Individual Artists

Phaidon Press

Published on the occasion of The Drawing Center's exhibition, Ree Morton: At The Still Point of the Turning World highlights Morton s influential body of work, remarkably all produced in a single decade between her decision to turn to art full-time in the late 1960s and her tragic death in an automobile accident in 1977, shortly before her 41st birthday. While reflecting many of the currents of Postminimal art of the 1970s, Morton's work also looked to a pioneering use of personal narrative, intimacy, humor, and poetic imagination. Yet the scope of her artistic production remains largely unrecognized, as does her vital contribution to feminist art practice and the importance of drawing to her development as an artist. This publication, number 87 in the Drawing Papers series, features 58 color plates, a conversation between Cornelia H. Butler, Joao Ribas, and Allan Schwartzman, as well as Lucy Lippard's new introduction to her 1973 essay At the Still Point of the Turning World.

Ree Morton: At the Still Point of the Turning World

Cornelia H. Butler

Joao Ribas

Lucy Lippard

The Drawing Center

Through: Inhotim

Inhotim Centro de Arte Contemporânea

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Books by Allan Schwartzman