Attempting to put the sense of smell on the historical map, the author of this book conveys the power that smells - from the seductress's civet to the ubiquitous excremental odours of city cesspools - exercized over the lives (and deaths) of Frenchmen in the 18th and 19th centuries. Integrating an impressive range of disciplines - the histories of science and medicine, urban studies, public health, psychohistory, and literary criticism - Corbin lays bare the deeper implications of smell for science, society, and literature.

The Foul and the Fragrant: Odour and the Social Imagination

ALAIN CORBIN

History

Picador

<p>In the French canton of Brienne in November 1799, local authorities were scandalized when a crowd of girls broke through the doors of the church and rang the bells in order to mark the festival of St. Catherine. Religious use of the bells was forbidden by law, but the villagers boldly insisted on their right to celebrate with peals the feast of a beloved saint. So begins Village Bells, Alain Corbin's exploration of the "auditory landscape" of nineteenth-century France, a story of lost sensory experiences and forgotten passions. In the nineteenth century, these instruments were symbols of their towns and objects of both ecclesiastic and civic pride. Bell-ringing served practical purposes of communication, marking both religious and secular time, as well as calling citizens to pray, assemble, take arms, or beware of danger. As Corbin shows, the bells also reflected the social, political, and religious struggles of the time. To control the bells was to control the symbolic order, rhythm, and loyalties of French village and country life.\nUsing church archives and local documents, Corbin forges a unique history of the role of bells from the aftermath of the Revolution to the dawn of the twentieth century. He charts how the First Republic (1792–1804) moved toward a more secular society, turning many bells into coins and cannonballs and seizing others as property of the state. A gradual return to the religious use of bells occurred in the nineteenth century, even as their new secular roles were maintained. Corbin describes the battles over the marking of religious versus secular time, as calls to prayer, the celebration of religious feasts, and the marking of rites of passage―baptism, marriage, and death―competed with tolls indicating the passing hours or marking assemblies, elections, or republican holidays.\nThoroughly documented and recounted with intriguing narratives, Village Bells provides an original approach to nineteenth-century French cultural, social, and political history. As Corbin notes, the bells are no longer essential to our lives―their qualitative, sacred time and space replaced by the quantitative, secular measures of the clock―but by understanding their lost symbolic and practical importance we open a window onto the age in which they rang.\nAmazon.com Review\nSince the Renaissance, France has been known as the country of ringing towns. By the 19th century, according to Alain Corbin, a renowned professor of contemporary history at the Sorbonne, a French village community could not live without its bells. Village peals were symbols and objects of both ecclesiastic and civic pride, and played such an integral role in town life that, according to Corbin, community leaders frequently allocated more money to their acquisition and maintenance than to relieving poverty or promoting education. Bell-ringing not only served practical purposes of communication, it also reflected the social, political, and religious struggles of the time. To control the bells was to control the symbolic order, rhythm, and loyalties of French village and country life. Furthermore, Corbin argues, possessing a peal of bells was a prerequisite of modernity in a society increasingly subject to haste but as yet without any other means of transmitting information instantaneously. Examinations of the social imagination have traditionally neglected materials pertaining to auditory perception, making Corbin's exploration of his thesis all the more original. --Bertina Loeffler</p>

Village Bells

Arts & Photography

Music

Macmillan Publishers, Limited

LE TEMPS, LE DESIR, L'HORREUR - ESSAIS SUR LE DIX-NEUVIEME SIECLE

Flammarion

LES FILLES DE NOCE (NC)

Le silence n'est pas la simple absence de bruit. Il réside en nous, dans cette citadelle intérieure que de grands écrivains, penseurs, savants, femmes et hommes de foi, ont cultivée durant des siècles. A l'heure où le bruit envahit tous les espaces, Alain Corbin revient sur l'histoire de cet âge où la parole était rare et précieuse. Condition du recueillement, de la rêverie, de l'oraison, le silence est le lieu intime d'où la parole émerge. Les moines ont imaginé mille techniques pour l'exalter, jusqu'aux chartreux qui vivent sans parler. Philosophes et romanciers ont dit combien la nature et le monde ne sont pas distraction vaine. Une rupture s'est produite, pourtant, aux confins des années 1950, et le silence a perdu sa valeur éducative. L'hypermédiatisation du XXIe siècle nous contraint à être partie du tout plutôt que de se tenir à l'écoute de soi, modifiant la structure même de l'individu. Redécouvrir l'école du silence, tel est l'enjeu de ce livre dont chaque citation est une invitation à la méditation, au retour sur soi. Avec ce goût pour l'insaisissable qui a donné naissance à ses plus grands livres, (Le miasme et la jonquille, Les cloches de la terre...), Alain Corbin nous invite à entendre une autre Histoire.

Une histoire du silence : De la Renaissance à nos jours (French Edition)

French and European Publications Inc

Die Sprache der Glocken. Ländliche Gefühlskultur und symbolische Ordnung im Frankreich des 19. Jahrhundert.

Fischer

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