New Waw, Saharan Oasis (CMES Modern Middle East Literatures in Translation)

Literature & Fiction

Al-Koni, Ibrahim

Genre Fiction

Ctr for Middle Eastern Studies UT-Austin

The Puppet, a mythic tale of greed and political corruption, traces the rise, flourishing, and demise of a Saharan oasis community. Aghulli, a noble if obtuse man who has been chosen leader of the oasis, hankers after the traditional nomadic pastoralist life of the Tuareg. He sees commerce (understood as including trade in gold, marriage, agriculture, and even recreation) as the prime culprit in the loss of the nomadic ethos. Thus he is devastated to learn that his supporters are hoarding gold.
The novel's title notwithstanding, the author has stressed repeatedly that he is not a political author. He says that The Puppet portrays a good man who has been asked to lead a corrupt society. The subplot about star-crossed young lovers introduces a Sufi theme of the possibility of transforming carnal into mystical love. The Puppet, though, is first and foremost a gripping, expertly crafted tale of bloody betrayal and revenge inspired by gold lust and an ancient love affair.

The Puppet (CMES Modern Middle East Literatures in Translation)

Literary

Winner, National Translation Award, American Literary Translators Association, 2015
Upon the death of their leader, a group of Tuareg, a nomadic Berber community whose traditional homeland is the Sahara Desert, turns to the heir dictated by tribal custom; however, he is a poet reluctant to don the mantle of leadership. Forced by tribal elders to abandon not only his poetry but his love, who is also a poet, he reluctantly serves as leader. Whether by human design or the meddling of the Spirit World, his death inspires his tribe to settle down permanently, abandoning not only nomadism but also the inherited laws of the tribe. The community they found, New Waw, which they name for the mythical paradise of the Tuareg people, is also the setting of Ibrahim al-Koni’s companion novel, The Puppet.
For al-Koni, this Tuareg tale of the tension between nomadism and settled life represents a choice faced by people everywhere, in many walks of life, as a result of globalism. He sees an inevitable interface between myth and contemporary life.

The Libyan landscape is one of the most diverse and breathtaking, replete with barren deserts, vast ocean coasts, and a stunning display of earth’s elements. Al-Koni, an award-winning and critically acclaimed Arabic writer, reflects on this fragile environment and the increasing threats to its existence in A Sleepless Eye, a collection of the poet’s desert wisdom. He highlights the relationships between humans and Libya’s natural features, grouping them by theme: nature, desert, water, sea, wind, rock, trees, and fire. Each theme contains a set of aphorisms that deliver thoughtful perspectives on what it means to coexist with an evolving planet. This volume is the result of the author’s collaboration with the celebrated French nature photographer, Alain Sèbe, and English translator Allen. The product is a body of work that calls upon readers to question their relationship with the earth through meditative ideas and photos, familiarizing English readers with the fundamental philosophies of environmental stewardship that transcend all boundaries.

A Sleepless Eye: Aphorisms from the Sahara (Middle East Literature In Translation)

Arts & Photography

History & Criticism

Syracuse University Press

The Scarecrow is the final volume of Ibrahim al-Koni's Oasis trilogy, which chronicles the founding, flourishing, and decline of a Saharan oasis. Fittingly, this continuation of a tale of greed and corruption opens with a meeting of the conspirators who assassinated the community's leader at the end of the previous novel, The Puppet. They punished him for opposing the use of gold in business transactions—a symptom of a critical break with their nomadic past—and now they must search for a leader who shares their fetishistic love of gold. A desert retreat inspires the group to select a leader at random, but their "choice," it appears, is not entirely human. This interloper from the spirit world proves a self-righteous despot, whose intolerance of humanity presages disaster for an oasis besieged by an international alliance. Though al-Koni has repeatedly stressed that he is not a political author, readers may see parallels not only to a former Libyan ruler but to other tyrants—past and present—who appear as hollow as a scarecrow.

The Scarecrow (CMES Modern Middle East Literatures in Translation)

The Fetishists, originally published in Arabic as Al Majus, is considered the masterpiece of Ibrahim al-Koni, one of the most prolific and important writers in Arabic today. In The Fetishists, Al-Koni explores what happens when a writer asks the novel to speak of and for the Sahara, when rival cultures clash, and when communities seek to build a utopia on Earth as individuals struggle between a desire for material well-being (represented by gold dust) and a need for spiritual meaning. As the story opens, Sultan Oragh of Timbuktu, who has already lost most of his power to Fetishist Bambara leaders of the forestlands, fears he will lose his only daughter, Tenere, as a human sacrifice to their god Amnay. The sultan sends Tenere to seek refuge with fellow Tuareg nomads in the plain. But even in their traditional, nomadic community, a competition rages between jihadi militant Islam; moderate Anhi Islam, which is the ancient Tuareg Law; and the cults of gold dust and of traditional African folk religions.
In this epic novel, Al-Koni blends Tuareg folklore and history with intense, fond descriptions of daily life in the desert, creating a mirror for life anywhere. Through its tragic rendering of a clash between the Tuareg and traditional African civilizations, the novel profoundly probes the contradictions of the human soul as it takes the reader on a unique spiritual adventure inside the Tuareg world.

The Fetishists (CMES Modern Middle East Literatures in Translation)

Center for Middle Eastern Studies, The University of Texas at Austin

The Night Will Have Its Say: A Novel (Hoopoe Fiction)

International Booker Prize finalist and "one of the Arab world's most innovative novelists" (Roger Allen) delivers a brilliant retelling of the Muslim wars of conquest in North Africa\nThe year is 693 and a tense exchange, mediated by an interpreter, takes place between Berber warrior queen al-Kahina and an emissary from the Umayyad General Hassan ibn Nu'man. Her predecessor had been captured and killed by the Umayyad forces some years earlier, but she will go on to defeat Ibn Nu'man's forces.\nThe Night Will Have Its Say is a retelling of the Muslim wars of conquest in North Africa during the seventh century CE, narrated from the perspective of the conquered peoples. Written in Ibrahim al-Koni's unique and enchanting voice, his lyrical and deeply poetic prose speaks to themes that are intensely timely. Through the wars and conflicts of this distant, turbulent era, he addresses the futility of war, the privilege of an elite few at the expense of the many, the destruction of natural habitats and indigenous cultures, and questions about literal and fundamentalist interpretations of religious texts.\nAl-Koni's masterly account of conquest and resistance is both timeless and timely, infused with a sense of disaster and exile—from language, the desert, and homeland.

Hoopoe

Isan, the novel’s protagonist, is either Seth himself or a latter-day avatar. A desert-wandering seer and proponent of desert life, he settles for an extended stay in a fertile oasis. If Jack Frost, the personification of the arrival of winter, were to visit a tropical rain forest, the results might be similarly disastrous. Not surprisingly, since this is a novel by Ibrahim al-Koni, infanticide, uxoricide, serial adultery, betrayal, metamorphosis, murder by a proxy animal, ordinary murder, and a life-threatening chase through the desert all figure in the plot, although the novel is also an existential reflection on the purpose of human life. Ibrahim al-Koni typically layers allusions in his works as if he were an artist adding a suggestion of depth to a painting by applying extra washes. Tuareg folklore, Egyptian mythology, Russian literature, and medieval European thought elbow each other for room on the page. One might expect a novel called The Seven Veils of Seth to be a heavy-handed allegory. Instead, the reader is left wondering. The truth is elusive, a mirage pulsing at the horizon.

The Seven Veils of Seth: A Modern Arabic Novel from Libya

Contemporary

Garnet Publishing

Poussière d'or

Gallimard]

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Books by Al-Koni, Ibrahim

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New Waw, Saharan Oasis (CMES Modern Middle East Literatures in Translation)

The Puppet (CMES Modern Middle East Literatures in Translation)

New Waw, Saharan Oasis (CMES Modern Middle East Literatures in Translation)

A Sleepless Eye: Aphorisms from the Sahara (Middle East Literature In Translation)

The Scarecrow (CMES Modern Middle East Literatures in Translation)

The Fetishists (CMES Modern Middle East Literatures in Translation)

The Night Will Have Its Say: A Novel (Hoopoe Fiction)

The Night Will Have Its Say: A Novel (Hoopoe Fiction)

The Seven Veils of Seth: A Modern Arabic Novel from Libya

Poussière d'or