Literary Nonfiction. Collaboration. Index by Katie Aymar. Drawings by Xylor Jane. From the publishers at Carville Annex Press: Like all the things we make, this book helps us breathe, which is why we want to share it with you. Katie Aymar made an index for the book, and this part of "H" describes THE INSTEAD's range and depth: Holbrook, Robert Saleem, 182 holistic storytelling, 108-109, 125-126, 144-146, 148-153, 188-189 holograph of facts, 83 homogenizing forces, 95, 113; see loss Hopelessness of Changing Anything, 75 how to: balance a sense of peace with the chaos of others, 103, 109; escape from Eastern State Penitentiary, 94; renew the present, 111; sound out a question, 163; surpass gravity and death, 180; telepathically foment solidarity, 189; see swimming, see also toxicity human rights monitoring, 150-153 human transgenerational response, 64, 78 This book reminds us that we are all in this together, asking questions, trying to find a way through.

The Instead: A Conversation Between Emily Abendroth and Miranda Mellis

Literature & Fiction

Abendroth, Emily

Mellis, Miranda

History & Criticism

Carville Annex Press

"The drone, the cage, the market accumulate their victims by watching them. They watch so they can tag, they tag in order to conquer. But, as Sousveillance Pageant shows, we are not theirs. A brilliant blend of insight and imagination, Sousveillance Pageant has an exuberance that exceeds the page. With a creative pathos and an unruly commitment to a world within our grasp, Emily Abendroth offers an incandescent look at watching back, dreaming big, and fighting to win. Sousveillance Pageant is our abolitionist avatar, our determined alter ego marshalling collective wisdom against the punitive surveillance state with an ingenuity all her own. Follow her rebellious spirit."--Dan Berger, author of Rethinking the American Prison Movement & co-curator of the Washington Prison History Project"Sousveillance Pageant offers delicate looks and creative thought that could dismantle and redefine systems of surveillance, causing individual actors and reactors to have no choice but to redirect their usage. An overall revolutionary way that Emily Abendroth suggests a redirection is to surveil surveillance or rather, in the interest of the people, to SOUSveil surveillance."--Clinton Walker, incarcerated writer, activist, & founding member of LifeLines: Voices Against the Other Death Penalty"Here's a book written on behalf of every seen face, each of us surveilled, targeted, data'd and metadata'd unto state and market, mugshotted, incarcerated, known by heat trace and GPS. Abendroth has written an extraordinary essay/fiction, heedless of genre's limits, tumbling with joyful desperate exuberance from analysis to care to theorization to performance art to pun to tender languages for decarceration. This book gives form to Sousveillance Pageant, agent and avatar of the action we need: surveillance from below. What if a drone was seen by your seeing? What if you could slip through the hands of surveillance capitalists like a ghost? What if we each cared how we each answered the question What do you think security is? This book is comfort, incitement, inspiration, manifesto, careful dreaming, courageous friend." --Hilary Plum, author of Strawberry Fields

Sousveillance Pageant

Radiator Press

Poetry. There are militarized zones that EXCLOSURES tracks, between our lived lives and the exclusionary logics that we are required to contain them within. Emily Abendroth tells us that society effectively criminalizes some of our most basic characteristics—our youth, our old age, our poverty, our needs for housing or a doctor's appointment, our hunger—and feeds them back to us as dangerous behaviors and/or unsustainable demands. But EXCLOSURES also seeks to map something else—something variously wobbly, tender, obdurate, and ecstatic—the ever- innovating struggle to resist, reject, and arrest such logics.

Exclosures (The New, 62)

Poetry

Ahsahta Press

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