A million chameleons visit the zoo, climb a tree, and ride a merry-go-round, changing colour as they go.

A Million Chameleons

Children's Books

Young, James

Literature & Fiction

Little,Brown & Company

In Film Music, fourteen of the world's best known film composers discuss their craft, revealing the creative process that led to the familiar sound of the most memorable films of our time. Like all titles in the Screencraft Series, Film Music is beautifully produced and lavishly illustrated with drawings, scripts, storyboards, models and stills from classic films. A companion CD features a composition from each of the fourteen contributors. Musicians, composers, filmmakers and film enthusiasts will find much to learn and much to enjoy in this unique volume. Includes CD featuring a piece of music from each contributor Part of the Screencraft series, the first books to explore the crafts of filmmaking by tracing the entire creative process

Film Music (Screencraft Series)

Russell, Mark

Reference

Focal Press

A million chameleons visit the zoo, climb a tree, and ride a merry-go-round, changing color as they go

Little,Brown & Co

Penelope & the Pirates

Macmillan Education Australia Pty Ltd

South-Western Federal Taxation 2025: Comprehensive

Business & Money

Nellen, Annette

Persellin, Mark

Maloney, David

Cuccia, Andrew

Accounting

Cengage Learning'

South-Western Federal Taxation 2025: Individual Income Taxes

Lassar, Sharon

South-Western Federal Taxation 2025: Corporations, Partnerships, Estates and Trusts

Cripe, Brad

Forty years ago Louis Hartz surveyed American political thought in his classic The Liberal Tradition in America. He concluded that American politics was based on a broad liberal consensus made possible by a unique American historical experience, a thesis that seemed to minimize the role of political conflict.Today, with conflict on the rise and wit

Reconsidering American Liberalism: The Troubled Odyssey Of The Liberal Idea

Politics & Social Sciences

Politics & Government

Routledge

Radically Rethinking Copyright in the Arts (Routledge Research in Aesthetics)

"This book radically rethinks the philosophical basis of copyright in the arts. The author reflects on the ontology of arts to argue that current copyright laws cannot be justified. The book begins by identifying two problems that result from current copyright laws: 1) creativity is restricted and 2) they primarily serve the interests of large corporations over the artists and general public. Against this background, the author presents an account of the ontology of artworks and explains what metaphysics can tell us about ownership in the arts. Next, he makes a moral argument that copyright terms should be shorter and that corporations should not own copyrights. The remaining chapters tackle questions regarding the appropriation of tokens of artworks, pattern-types, and artistic elements. The result is a sweeping reinterpretation of copyright in the arts that rests on sound ontological and moral foundations. Radically Rethinking Copyright in the Arts will be of interest to scholars and advanced students working in aesthetics & philosophy of art, metaphysics, philosophy of law, and intellectual property law"--

Philosophy

This book radically rethinks the philosophical basis of copyright in the arts. The author reflects on the ontology of art to argue that current copyright laws cannot be justified. The book begins by identifying two problems that result from current copyright laws: (1) creativity is restricted and (2) they primarily serve the interests of large corporations over those of the artists and general public. Against this background, the author presents an account of the ontology of artworks and explains what metaphysics can tell us about ownership in the arts. Next, he makes a moral argument that copyright terms should be shorter and that corporations should not own copyrights. The remaining chapters tackle questions regarding the appropriation of tokens of artworks, pattern types, and artistic elements. The result is a sweeping reinterpretation of copyright in the arts that rests on sound ontological and moral foundations. Radically Rethinking Copyright in the Arts will be of interest to scholars and advanced students working in aesthetics and philosophy of art, metaphysics, philosophy of law, and intellectual property law.

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