Gold Buckle: The Grand Obsession of Rodeo Bull Riders

Sports & Outdoors

Coplon, Jeff

Individual Sports

Harpercollins

The triumphant true story of the native Hawaiian cowboys who shocked America at the 1908 world rodeo championships
A Pacific Northwest Book Award finalist * An NPR Best Book of the Year * An Oregon Book Award Finalist
"Groundbreaking. … A must-read. ... An essential addition." —True West
In August 1908, three unknown riders arrived in Cheyenne, Wyoming, their hats adorned with wildflowers, to compete in the world’s greatest rodeo. Steer-roping virtuoso Ikua Purdy and his cousins Jack Low and Archie Ka’au’a had travelled 4,200 miles from Hawaii, of all places, to test themselves against the toughest riders in the West. Dismissed by whites, who considered themselves the only true cowboys, the native Hawaiians would astonish the country, returning home champions—and American legends. 
An unforgettable human drama set against the rough-knuckled frontier, David Wolman and Julian Smith’s Aloha Rodeo unspools the fascinating and little-known true story of the Hawaiian cowboys, or paniolo, whose 1908 adventure upended the conventional history of the American West. 
What few understood when the three paniolo rode into Cheyenne is that the Hawaiians were no underdogs. They were the product of a deeply engrained cattle culture that was twice as old as that of the Great Plains, for Hawaiians had been chasing cattle over the islands’ rugged volcanic slopes and through thick tropical forests since the late 1700s.
Tracing the life story of Purdy and his cousins, Wolman and Smith delve into the dual histories of ranching and cowboys in the islands, and the meteoric rise and sudden fall of Cheyenne, “Holy City of the Cow.” At the turn of the twentieth century, larger-than-life personalities like “Buffalo Bill” Cody and Theodore Roosevelt capitalized on a national obsession with the Wild West and helped transform Cheyenne’s annual Frontier Days celebration into an unparalleled rodeo spectacle, the “Daddy of ‘em All.”
The hopes of all Hawaii rode on the three riders’ shoulders during those dusty days in August 1908. The U.S. had forcibly annexed the islands just a decade earlier. The young Hawaiians brought the pride of a people struggling to preserve their cultural identity and anxious about their future under the rule of overlords an ocean away. In Cheyenne, they didn’t just astound the locals; they also overturned simplistic thinking about cattle country, the binary narrative of “cowboys versus Indians,” and the very concept of the Wild West. Blending sport and history, while exploring questions of identity, imperialism, and race, Aloha Rodeo spotlights an overlooked and riveting chapter in the saga of the American West.

Aloha Rodeo: Three Hawaiian Cowboys, the World's Greatest Rodeo, and a Hidden History of the American West

History

Wolman, David

Smith,Julian

Americas

Mariner Books

The triumphant true story of the native Hawaiian cowboys who crossed the Pacific to shock America at the 1908 world rodeo championships 
Oregon Book Award winner * An NPR Best Book of the Year * Pacific Northwest Book Award finalist * A Reading the West Book Awards finalist 
"Groundbreaking. … A must-read. ... An essential addition." —True West 
In August 1908, three unknown riders arrived in Cheyenne, Wyoming, their hats adorned with wildflowers, to compete in the world’s greatest rodeo. Steer-roping virtuoso Ikua Purdy and his cousins Jack Low and Archie Ka’au’a had travelled 4,200 miles from Hawaii, of all places, to test themselves against the toughest riders in the West. Dismissed by whites, who considered themselves the only true cowboys, the native Hawaiians would astonish the country, returning home champions—and American legends.\nAn unforgettable human drama set against the rough-knuckled frontier, David Wolman and Julian Smith’s Aloha Rodeo unspools the fascinating and little-known true story of the Hawaiian cowboys, or paniolo, whose 1908 adventure upended the conventional history of the American West. 
What few understood when the three paniolo rode into Cheyenne is that the Hawaiians were no underdogs. They were the product of a deeply engrained cattle culture that was twice as old as that of the Great Plains, for Hawaiians had been chasing cattle over the islands’ rugged volcanic slopes and through thick tropical forests since the late 1700s. 
Tracing the life story of Purdy and his cousins, Wolman and Smith delve into the dual histories of ranching and cowboys in the islands, and the meteoric rise and sudden fall of Cheyenne, “Holy City of the Cow.” At the turn of the twentieth century, larger-than-life personalities like “Buffalo Bill” Cody and Theodore Roosevelt capitalized on a national obsession with the Wild West and helped transform Cheyenne’s annual Frontier Days celebration into an unparalleled rodeo spectacle, the “Daddy of ‘em All.” 
The hopes of all Hawaii rode on the three riders’ shoulders during those dusty days in August 1908. The U.S. had forcibly annexed the islands just a decade earlier. The young Hawaiians brought the pride of a people struggling to preserve their cultural identity and anxious about their future under the rule of overlords an ocean away. In Cheyenne, they didn’t just astound the locals; they also overturned simplistic thinking about cattle country, the binary narrative of “cowboys versus Indians,” and the very concept of the Wild West. Blending sport and history, while exploring questions of identity, imperialism, and race, Aloha Rodeo spotlights an overlooked and riveting chapter in the saga of the American West.

Chasing The Rodeo: On Wild Rides And Big Dreams, Broken Hearts And Broken Bones, And One Man's Search For The West

From its roots as the quintessential Western pastime, rodeo has grown to an international, prime-time television sport. Steeped in tradition and the independent spirit of the range, aspiring cowboys and cowgirls are called to its high-stakes, rough-and-tumble fame as they risk their lives for eight seconds of triumph. In Chasing the Rodeo W. K. Stratton follows this quest for one season of the pro rodeo and bull-riding tours. He explores the history of the chutes -- from rodeo's disputed origins (Prescott, Arizona, or Pecos, Texas?) to its current skyrocketing popularity. But out on the trail Stratton finds more than calf-roping and unrideable bulls, uncovering a culture complete with myths, codes of honor, million-dollar purses, Cowboy Church, and the kinds of legends that make good stories unforgettable. Just such a story emerges here as Stratton tells of his runaway "rodeo bum" father --Cowboy Don -- whose specter haunts his travels on the circuit. As he learns more about the life that proved too seductive for his father to abandon, Stratton fills in a portrait of the man he never knew but whose legacy he couldn't help but inherit. Filled with cowboy longing and rodeo dreams, this is a tribute to the characters of the West -- Freckles Brown, Lucille Mulhall (the first cowgirl), Wild Bill Hickock, Lane Frost, and today's superstars like Jesse Bail. In the great tradition of Wallace Stegner and Ken Kesey, W. K. Stratton fashions an expansive tale out of the gritty reality of the life around us. Chasing the Rodeo is a bucking, riveting, glorious ride -- you'll want to hang on for the whole go-round.

Chasing The Rodeo: On Wild Rides and Big Dreams, Broken Hearts and Broken Bones, and One Man's Search for the West

Stratton, W.K.

Biographies

Rodeo people call their sport "more a way of life than a way to make a living." Rodeo is, in fact, a rite that not only expresses a way of life but perpetuates it, reaffirming in a ritual contest between man and animal the values of American ranching society. Elizabeth Atwood Lawrence uses an interpretive approach to analyze rodeo as a symbolic pageant that reenacts the "winning of the West" and as a stylized expression of frontier attitudes toward man and nature. Rodeo constestants are the modern counterparts of the rugged and individualistic cowboys, and the ethos they inherited is marked by ambivalence: they admire the wild and the free yet desire to tame and conquer. Based on extensive field work and drawing on comparative materials from other stock-tending societies, Rodeo is a major contribution to an understanding of the role of performance in society, the culturally constructed view of man's place in nature, and the structure and meaning of social relationships and their representations.

Rodeo: An Anthropologist Looks at the Wild and the Tame

Lawrence, Elizabeth Atwood

Reference

University of Chicago Press

The Wild West: a term that conjures up pictures of wagon trains, unspoiled prairies, Indians, rough 'n' ready cowboys, roundups, and buffalo herds. Where did this collection of images come from? Paul Reddin exposes the mythology of the American frontier as a carefully crafted product of the Wild West show. Focusing on such pivotal figures as George Catlin, Buffalo Bill Cody, and Tom Mix, Reddin traces the rise and fall of a popular entertainment shaped out of the "raw material of America." Buffalo Bill and other entertainers capitalized on public fascination with the danger, heroism, and courage associated with the frontier by continually modifying their presentation of the West to suit their audiences. Thus the Wild West show, contrary to its own claims of accuracy and authenticity, was highly selective in its representations of the West as well as widely influential in shaping the public image of life on the Great Plains. A uniquely American entertainment--colorful, energetic, unabashed, and, as Reddin demonstrates, self-made--the Wild West show exerted an appeal that was all but irresistible to a public hovering uncertainly between industrial progress and nostalgia for a romanticized past.

Wild West Shows

Reddin, Paul

Humor & Entertainment

University of Illinois Press

In this first substantial study of rodeo women, Mary Lou Lecompte surveys the early rodeo cowgirls' achievements as professional athletes, the near demise of women's rodeo events during World War II, and the phenomenal success of the Women's Professional Rodeo Association in regaining lost ground for rodeo cowgirls. Recalling an extraordinary chapter in women's history as well as the history of American sport, Cowgirls of the Rodeo contributes to a deeper understanding of the challenges facing women in the American West and in American sport.

Cowgirls of the Rodeo: Pioneer Professional Athletes (Sport and Society)

LeCompte, Mary

Outriders: Rodeo at the Fringes of the American West

Rodeo is a dangerous and painful performance in which only the strongest and most skilled riders succeed. In the popular imagination, the western rodeo hero is often a stoic white man who embodies the toughness and independence of America's frontier past. However, marginalized people have starred in rodeos since the very beginning. Cast out of popular western mythology and pushed to the fringes in everyday life, these cowboys and cowgirls found belonging and meaning at the rodeo, staking a claim to national inclusion. Outriders explores the histories of rodeoers at the margins of society, from female bronc-riders in the 1910s and 1920s and convict cowboys in Texas in the mid-twentieth century to all-black rodeos in the 1960s and 1970s and gay rodeoers in the late twentieth century. These rodeo riders not only widened the definition of the real American cowboy but also, at times, reinforced the persistent and exclusionary myth of an idealized western identity. In this nuanced study, Rebecca Scofield shares how these outsider communities courted authenticity as they put their lives on the line to connect with an imagined American West.

Scofield, Rebecca

University of Washington Press

Slapping Leather: Queer Cowfolx at the Gay Rodeo

Ford, Elyssa

See the best price to sell, buy or rent books on the Rodeos subject. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Rodeos Books