The only surviving anthology of non-Shakespearean English renaissance drama. All plays edited for this anthology by the scholars Russell Fraser and Norman Rabkin.

Drama of the English Renaissance: Volume 1, The Tudor Period

Fraser, Russell

Rabkin, Norman

Arts & Photography

Pearson

The only surviving anthology of non-Shakespearean English renaissance drama. All plays edited for this anthology by the scholars Russel Fraser and Norman Rabkin.

Drama of the English Renaissance: Volume 2, The Stuart Period

A poor physician's daughter cures the King of France, and in return is promised the hand of any nobleman she wishes. But the man she chooses, the proud young Count of Rosillion, refuses to consummate the forced marriage and flees to Florence. Depicting the triumph of trickery over youthful arrogance, All's Well that Ends Well is among Shakespeare's darkest romantic comedies, yet it remains a powerful tribute to the strength of love.

All's Well That Ends Well (Shakespeare, William, Works.)

Shakespeare., William

Cambridge University Press

The Language of Adam

Literature & Fiction

History & Criticism

Columbia University Press

Originally published, hardcover, in 1988. A biography of the playwright's first 30 years, placing him among the varied scenes of his early life in Renaissance England schools, farms, meals, shops, and festivities. Annotation copyright Book News, Inc. Portland, Or.

Young Shakespeare: Volume 1

Dramas & Plays

Examines Shakespeare's life from the age of thirty, describes everyday life in England during this period, and discusses the historical context of his writings

Shakespeare

Moderns Worth Keeping

In this new volume, Russell Fraser assembles fourteen twentieth-century writers he judges "worth keeping." All were famous in their time, but many outlived it, enduring an eclipse that Fraser intends this book to dispel. Each of the authors differs in background and in the kinds of writing practiced, and while together they do not constitute a modern canon, Fraser persuasively presents them as a group distinguished by a more than ordinary affiliation for language. Leading off are Oscar Wilde and J. M. Synge, both of whom were Irish and principally known as playwrights. The Scottish poets Edwin Muir and G.M. Brown are complemented by three great Europeans: Paul Valery, Eugenio Montale, and Osip Mandelstam, "mandarins" who wrote for an elite of their time, not a social elite, but readers who could read. The New Critics, who gave language first place in their writing, loom large in this account. R.P. Blackmur and Allen Tate are followed by Delmore Schwartz, Austin Warren, and Francis Fergusson, lesser stars orbiting those greater than themselves. Kingsley Amis the novelist and James Dickey the poet, with whom the book concludes, had a great run at fame and fortune, but ended bleakly. The world was livelier for these writers' presence, and what they left us still gives satisfaction. This heterogeneous group may be said to be our saving remnant. In a time of coarsened feeling, its members possess in high degree the ability to discriminate, seeing acutely, and inspiring feeling where it was dead. Their function is therapeutic, even restorative for the life of letters. To give them a hearing is the principal purpose of the book.

Routledge

Biographies & Memoirs

Arts & Literature

A Mingled Yarn: The Life of R.P.Blackmur

R. P. Blackmur was an American critic and poet, as well as a professor of English literature and creative writing at Princeton University. At the time of his death, he had completed five books and numerous plays, poems, and short stories. He devoted most of his life to studies on Henry Adams - someone he saw in himself. In his lifetime, he received a share of adulation, but he was not successful in the way that success is commonly measured. In this work, Russell Fraser follows the course of Blackmur's self-declared failed genius. He tells the story of his precocious youth in Cambridge; his eclectic education; his years of poverty and renown as a poet, novelist, freelance music critic, and essayist; his obsessive marriage to artist Helen Dickson; his entangled friendships with T. S. Eliot, Delmore Schwartz, Allen Tate, and John Berryman; and, his passion for the wilds of Maine. He discusses Blackmur's crucial role in the literary magazines of the twenties and thirties; his unique influence as instructor of creative writing; the emotional and professional price he paid for a doubtful security at Princeton University; and, the torment of wavering between intellectual inertia and prolific inspiration. With empathy and insight, Fraser shows how the trajectory of Blackmur's career parallels the movements in the American literary scene; the experiments in poetry and fiction; the development of the New Criticism; the writer's conflict between order and anarchy, taxonomy and the full response; and, the emergence of the critic as artist. A biography, intellectual history, and literary criticism, "A Mingled Yarn" unravels Blackmur's complex character and celebrates his great achievement.

History

Shakespeare: A Life in Art

Shakespeare: A Life in Art brings together in a single volume Fraser's previously published two-volume biography (Young Shakespeare, 1988, and Shakespeare: The Later Years, 1992). This volume includes a new introduction, which looks back on the author's lifelong commitment to Shakespeare's work and seeks to find the pattern in his carpet.Fraser's approach places Shakespeare's work first but shows how the life and art interpenetrate, like "the yolk and white of one shell." What Shakespeare was doing in Stratford and London underlies what he was writing, or more exactly, the two flow together. Most of the book is devoted to Shakespeare the man and artist, but it simultaneously throws light on his literary and personal relations with contemporaries such as Jonson, Marlowe, and others known as the University Wits. His experience as an actor and man of theater is absorbingly recounted here, as well as his relations to well-born patrons like the Earl of Southampton and Henry Carey, Lord Hunsdon (England's Lord Chamberlain). In 1603 when James I ascended the throne, the Chamberlain's Men became the King's Men, passing under the sovereign's protection. How Shakespeare responded to his ambiguous role--he was both servant to the great and their remorseless critic--is another of Fraser's subjects. In short, Fraser's principal purpose is to advance our understanding of Shakespeare, at the same time throwing light on the work of the man who of all modern, and perhaps ancient poets had the "largest and most comprehensive soul." John Dryden, Shakespeare's first great critic, said that, and Fraser tries to estimate what he meant.

See the best price to sell, buy, or rent books by Fraser, Russell. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Fraser, Russell

See the best price to sell, buy, or rent books by Fraser, Russell. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Drama of the English Renaissance: Volume 1, The Tudor Period

Drama of the English Renaissance: Volume 2, The Stuart Period

All's Well That Ends Well (Shakespeare, William, Works.)

The Language of Adam

Young Shakespeare: Volume 1

Shakespeare

Moderns Worth Keeping

Moderns Worth Keeping

A Mingled Yarn: The Life of R.P.Blackmur

Shakespeare: A Life in Art