The Fatal Shore A History of the Transportation of Convicts to Australia 1787-1868

The fatal shore: A history of the transportation of convicts to Australia, 1787-1868

Politics & Social Sciences

HUGHES, ROBERT

Social Sciences

Collins, Harvill

From Holbein to Hockney, from Norman Rockwell to Pablo Picasso, from sixteenth-century Rome to 1980s SoHo, Robert Hughes looks with love, loathing, warmth, wit and authority at a wide range of art and artists, good, bad, past and present.   As art critic for Time magazine, internationally acclaimed for his study of modern art, The Shock of the New, he is perhaps America’s most widely read and admired writer on art.  In this book:  nearly a hundred of his finest essays on the subject.   For the realism of Thomas Eakins to the Soviet satirists Komar and Melamid, from Watteau to Willem de Kooning to Susan Rothenberg, here is Hughes—astute, vivid and uninhibited—on dozens of famous and not-so-famous artists.  He observes that Caravaggio was “one of the hinges of art history; there was art before him and art after him, and they were not the same”; he remarks that Julian Schnabel’s “work is to painting what Stallone’s is to acting”; he calls John Constable’s Wivenhoe Park “almost the last word on Eden-as-Property”; he notes how “distorted traces of [Jackson] Pollock lie like genes in art-world careers that, one might have thought, had nothing to do with his.”  He knows how Norman Rockwell made a chicken stand still long enough to be painted, and what Degas said about success (some kinds are indistinguishable from panic).   Phrasemaker par excellence, Hughes is at the same time an incisive and profound critic, not only of particular artists, but also of the social context in which art exists and is traded.  His fresh perceptions of such figures as Andy Warhol and the French writer Jean Baudrillard are matched in brilliance by his pungent discussions of the art market—its inflated prices and reputations, its damage to the public domain of culture.  There is a superb essay on Bernard Berenson, and another on the strange, tangled case of the Mark Rothko estate.  And as a finale, Hughes gives us “The SoHoiad,” the mock-epic satire that so amused and annoyed the art world in the mid-1980s.   A meteor of a book that enlightens, startles, stimulates and entertains.

Nothing If Not Critical : Selected Essays on Art and Artists

Arts & Photography

History & Criticism

See notes

A selection of essays on art and artists, this text presents the authors arguments for the real values of art and outlines the way ahead for artist in the 1990s. He tackles the lives and works of over 80 artists, from Old Masters to his contemporaries, exploring their achievements (or lack of it).

Nothing If Not Critical

The Harvill Press

The best-selling author of The Shock of the New, The Fatal Shore, and Barcelona here delivers a withering polemic aimed at the heart of recent American politics and culture. Culture of Complaint is a call for the re-knitting of a fragmented and over-tribalized America--a deeply passionate book, filled with barbed wit and devastating takes on public life, both left and right of center. To the right, Hughes fires broadsides at the populist demagogy of Pat Buchanan, Pat Robertson, Jesse Helms and especially Ronald Reagan ("with somnambulistic efficiency, Reagan educated America down to his level. He left his country a little stupider in 1988 than it had been in 1980, and a lot more tolerant of lies"). To the left, he skewers political correctness ("political etiquette, not politics itself"), Afrocentrism, and academic obsessions with theory ("The world changes more deeply, widely, thrillingly than at any moment since 1917, perhaps since 1848, and the American academic left keeps fretting about how phallocentricity is inscribed in Dickens' portrayal of Little Nell"). PC censoriousness and "family-values" rhetoric, he argues, are only two sides of the same character, extrusions of America's puritan heritage into the present--and, at root, signs of America's difficulty in seeing past the end of the Us-versus-Them mentality implanted by four decades of the Cold War. In the long retreat from public responsibility beaten by America in the 80s, Hughes sees "a hollowness at the cultural core"--a nation "obsessed with therapies and filled with distrust of formal politics; skeptical of authority and prey to superstition; its language corroded by fake pity and euphemism." It resembles "late Rome...in the corruption and verbosity of its senators, in its reliance on sacred geese (those feathered ancestors of our own pollsters and spin-doctors) and in its submission to senile, deified emperors controlled by astrologers and extravagant wives." Culture of Complaint is fired by a deep concern for the way Hughes sees his adopted country heading. But it is not a relentless diatribe. If Hughes lambastes some aspects of American politics, he applauds Vaclav Havel's vision of politics "not as the art of the useful, but politics as practical morality, as service to the truth." And if he denounces PC, he offers a brilliant and heartfelt defence of non-ideological multiculturalism as an antidote to Americans' difficulty in imagining the rest of the world--and other Americans. Here, then, is an extraordinary cri de coeur, an outspoken call for the reconstruction of America's ideas about its recent self. It is a book that everyone interested in American culture will want to read.

Culture of Complaint: Fraying of America

Harvill

This authoritative, lively book, based on the BBC Time-Life television series, provides a comprehensive survey of the birth and development of modern art and an updated discussion of the European and American art movements in the 70s and 80s including minimalist and public art, 70s American painting, German Neo-Expressionism, art by women, and environmental art. "The Future that Was," the final chapter, is completely rewritten and updated. 75% of the 275 illustrations in the revised edition are in 4-color.

The Shock of the New: The Hundred-Year History of Modern Art: Its Rise, Its Dazzling Achievement, It's Fall

McGraw–Hill Education

This #1 market-leading Personal Finance text provides comprehensive coverage of personal financial planning in the areas of money management, career planning, taxes, consumer credit, housing and other consumer decisions, legal protection, insurance, investments, retirement planning, and estate planning.

Student Resource Manual with Readings & Cases

Business & Money

Kapoor,Jack

Dlabay,Les

Hughes,Robert J.

Investing

McGraw/Hill/Irwin

Shock of the New

Alfred A. Knopf, Inc.

This work covers the advanced syllabus on software quality and assessment, which forms a large part of the general undergraduate Software Engineering programme. It is also a specific option on Masters programmes.

Practical Software Measurement

Computers & Technology

McGraw=Hill

In 1787, the twenty-eighth year of the reign of King George III, the British Government sent a fleet to colonize Australia...An epic description of the brutal transportation of men, women and children out of Georgian Britain into a horrific penal system which was to be the precursor to the Gulag and was the origin of Australia. The Fatal Shore is the prize-winning, scholarly, brilliantly entertaining narrative that has given its true history to Australia.

The Fatal Shore

History

Australia & Oceania

Vintage

Fatal Shore

World

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